Mouvements Un Drame Musical Instantane

Blutengel are a German electronic music group formed by singer Chris Pohl (also of the groups Terminal Choice, Tumor, and Miss Construction and the owner of the Fear Section label) after he had to leave Seelenkrank due to contractual and legal problems. The lyrics are written primarily in German and English and are presented with male and female vocals. The themes of the songs usually centre around themes common in Gothic fiction such as love, vampirism, sexual fetishism, death, and immortality. The band calls their musical style dark pop…

With a 20-year music career, full of important albums for the Italian progressive rock scene released among the old and new millennium, the Doracor project - a curious anagram of keyboardist and composer Corrado Sardella’s name - lands on AMS Records with what’s likely his most ambitious work ever: "Passioni Postmoderne di un Musicista Errante…", a double concept album inspired by Robert Lanza’s theory of biocentrism, and in particular on the subject of memories and experiences coming from present and past lives.
As usual, Corrado has invited numerous to collaborate with him, talented guests who have beautifully interpreted his compositions…

Je n'aime pas le classique mais çà j'aime bien
RCA | 30 juin 2008 | Classical | APE+CUE | 3% Recovery | 2CDs | 797 MB | Covers

Dans un coffret long-box collector, illustré par Sempé, voici le produit idéal pour se lancer “sur un autre ton” dans la musique classique !
“Je n’aime pas le classique, mais ça j’aime bien”, n’est-ce pas la réponse type du néophyte positivement surpris par un air classique qui le séduit, mais se gardant bien de s’avouer totalement vaincu par un genre musical tout entier avec lequel il est moins affolant et fatiguant de prendre ses distances… ? Le coffret contient une compilation classique idéale, en 2CD, réunissant 45 titres vraiment marquants, courts, imparables, avec un grand son, et très bien défendus par les artistes prestigieux de nos catalogues. Le coffret contient en plus un livre de dessins de Sempé “Les musiciens”, offrant un autre regard – provocateur et finement ironique – sur la musique et les musiciens, pour que la fête soit complète et non rébarbative.

Philippe Manoury (born 1952) is an unashamed modernist, but his works have an immediate sensual and intellectual appeal that should make them of interest to broad audiences. His rhythmic vocabulary, while not simple, is straightforward and easy to follow, and his harmonic language is richly chromatic but not grindingly dissonant. Most importantly, his works have a comprehensible dramatic arc; this is music that is telling a story, one compelling enough to demand the interest of listeners paying close attention.