Mozart. JS Bach. Hertel Bn Concs Stier; Ens Reflektor

Born in 1994, bassoonist Mathis Stier not only won second prize at the 2019 ARD Competition, but was also awarded the coveted Audience Prize. Mathis Stier has a natural affinity with the music of the 18th century and the three works which he has chosen for his ALPHA debut demonstrate its principal characteristics: Baroque, Empfindsamkeit / Sturm und Drang and Viennese Classicism. The composers J.S. Bach, Johann Wilhelm Hertel and W.A. Mozart represent three generations: father, son and grandson. The conventions of each previous generation are questioned, musical boundaries are broken down and new paths are taken, until the generational revolt finds its way back to more conventional channels. This is how Mathis Stier describes the phenomenon: "Musically, the Mozart Concerto represents the classical bassoon and is probably the best-known work in the original literature. Hertel's concerto, on the other hand, is unusual and fairly unknown even among bassoonists. It deserves to be more widely known, however, because it is an exceedingly remarkable and idiosyncratic piece.

When his first album with Bach arias was released by Sony Classical in early 2019, the young Dutch countertenor Maarten Engeltjes received much praise for the "enchanting character" (opera glasses) of his voice. Now the master pupil of the counter legend Michael Chance sings three famous cantatas by J.S. Bach: Ich habe genug, BWV 82, Ich will den Kreuzstab gern tragen, BWV 56 (both are actually really excellent pieces for baritone) - and Vergnügte Ruh, beliebtte Seelenlust, BWV 170. Once again he is accompanied with great sensitivity by the Ensemble PRJCT Amsterdam.

When his first album with Bach arias was released by Sony Classical in early 2019, the young Dutch countertenor Maarten Engeltjes received much praise for the "enchanting character" (opera glasses) of his voice. Now the master pupil of the counter legend Michael Chance sings three famous cantatas by J.S. Bach: Ich habe genug, BWV 82, Ich will den Kreuzstab gern tragen, BWV 56 (both are actually really excellent pieces for baritone) - and Vergnügte Ruh, beliebtte Seelenlust, BWV 170. Once again he is accompanied with great sensitivity by the Ensemble PRJCT Amsterdam.

Most of this disc is taken up with Liszt's Christmas Tree, an unusually modest suite based on Christmas carols. It also offers charming pieces by Reger, Tchaikovsky, Rebikov, and Lyapunov based on Christmas themes, and a couple of Bach transcriptions. Eteri Andjaparidze, whose first CD was a sensational Prokofiev collection, plays this music truly superb musicianship and the kind of pianistic color that has become a rarity. Her Jesu, Joy of Man's Desiring is the most beautiful I've heard since Dinu Lipatti's. And wait until you hear her delightful playing of Leroy Anderson's Sleigh Ride! It's deliciously witty and charming.