Mozart: Christian Blackshaw

VA - Mozart 225: Mozart's Instruments (2016)  Music

Posted by at Nov. 26, 2016
VA - Mozart 225: Mozart's Instruments (2016)

VA - Mozart 225: Mozart's Instruments (2016)
MP3 320 kbps CBR | 05:00:29 | 695 MB
Genre: Classical | Label: Decca, Deutsche Grammophon

In celebration of Mozart’s 225th anniversary, presented by Decca Classics and Deutsche Grammophon in partnership with the Salzburg Mozarteum Foundation.
VA - Mozart 225: Legendary Opera Performances (2017)

VA - Mozart 225: Legendary Opera Performances (2017)
MP3 CBR 320 kbps | 02:47:21 | 401 Mb
Genre: Classical / Label: Decca

The Decca Record Company stretches back to the late 1920's, and built a reputation at the forefront of audio reproduction. Today, Decca is a label of great diversity, home to many of the world's most distinguished artists, and with appeal to both specialist and mainstream audiences. The Decca Music Group also incorporates the Philips label. These labels are the home of an array of the greatest musicians, which include Juan Diego Florez, Andrea Bocelli, Renee Fleming, Cecilia Bartoli and Luciano Pavarotti.
Mozart - Claudio Arrau at Tanglewood 1964 (2013) {2CD Music & Arts CD-1274}

Mozart - Claudio Arrau at Tanglewood 1964 (2013) {2CD Music & Arts CD-1274}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 479 Mb | MP3 @320 -> 231 Mb
Full Artwork @ 300 dpi (png) -> 51 Mb | 5% repair rar
© 1964, 2013 Music & Arts | CD-1274
Classical / Piano / Recital

Nothing could be more different than Arrau's approach to Mozart even in the early stages of his career. Certainly, other pianists in those days gave full value to the dramatic power of the minor-key sonatas. But very few approached with the sheer volcanic force he brought to those bass octaves and no-holds-barred style in seemingly less serious works.
Angela Hewitt - Mozart: Piano Sonatas K. 310-311 & 330-333 (2023)

Angela Hewitt - Mozart: Piano Sonatas K. 310-311 & 330-333 (2023)
MP3 CBR 320 kbps | Digital Booklet | 02:35:55 | 365 Mb
Classical | Label: Hyperion Records

Angela Hewitt’s voyage of discovery through Mozart’s piano sonatas is proving a joy, the works sounding newly minted in vital, alert accounts which respect their scale and sensibility while revealing influences of Mozart’s orchestral and concerto writing of the period.
Academy of St. Martin in the Fields - Mozart & Beethoven (2023)

Academy of St. Martin in the Fields - Mozart & Beethoven (2023)
WEB FLAC (tracks) - 811 Mb | MP3 CBR 320 kbps - 415 Mb | 03:00:49
Classical | Label: Decca Classics

The Academy of St Martin in the Fields (ASMF) is an English chamber orchestra, based in London. John Churchill, then Master of Music at the London church of St Martin-in-the-Fields, and Neville Marriner founded the orchestra as "The Academy of St. Martin-in-the-Fields", a small, conductorless string group. The ASMF gave its first concert on 13 November 1959, in the church after which it was named. In 1988, the orchestra dropped the hyphens from its full name.
Sir Neville Marriner - Sir Neville Marriner Conducts Mozart (2024)

Sir Neville Marriner - Sir Neville Marriner Conducts Mozart (2024)
WEB FLAC (tracks) - 891 Mb | MP3 CBR 320 kbps - 496 Mb | 03:35:50
Classical | Label: Warner Classics

Born on 15 April 1924 in Lincoln, Sir Neville Marriner studied at the Royal College of Music and the Paris Conservatoire. He began his career as a violinist, playing first in a string quartet and trio, then in the London Symphony Orchestra. It was during this period that he founded the Academy, with the aim of forming a top-class chamber ensemble from London’s finest players. Beginning as a group of friends who gathered to rehearse in Sir Neville’s front room, the Academy gave its first performance in its namesake church in 1959. The Academy now enjoys one of the largest discographies of any chamber orchestra worldwide, and its partnership with Sir Neville Marriner is the most recorded of any orchestra and conductor.
Justus Frantz, Wolfgang Amadeus Mozart, Johann Sebastian Bach, Robert Schumann - The Art of Justus Frantz (2024)

Justus Frantz, Wolfgang Amadeus Mozart, Johann Sebastian Bach, Robert Schumann - The Art of Justus Frantz (2024)
FLAC (tracks), Lossless | 4:13:57 | 889 Mb
Genre: Classical

Justus Frantz (born 18 May 1944 in Inowrocław, Poland, then Hohensalza, Germany) is a German pianist, conductor, and television personality. Frantz mostly plays music from the Classical and Romantic periods, particularly by Mozart. He has played many pieces for piano duet or four hands with Christoph Eschenbach.

Best of Mozart (2020)  Music

Posted by at June 21, 2020
Best of Mozart (2020)

Best of Mozart (2020)
FLAC tracks | 02:31:28 | 721 Mb
Genre: Classical / Label: Universal Music Division Decca Records France

Above the album worked the Universal Music 'Best of Mozart', and his release took place on 2020. The album has got songs with a total duration of more than an hour. A compilation is a compilation of original music.
Martha Argerich - Martha Argerich Plays Mozart (2021)

Martha Argerich - Martha Argerich Plays Mozart (2021)
FLAC tracks / MP3 320 kbps | 4:44:40 | 1,01 Gb / 648 Mb
Genre: Classical / Label: Warner Classics

Argerich was born in Buenos Aires, Argentina. Her paternal ancestors were Spaniards from Catalonia based in Buenos Aires since the 18th century. Her maternal grandparents were Jewish immigrants from the Russian Empire, who settled in Colonia Villa Clara in the Entre Ríos province, one of the colonies established by Baron de Hirsch and the Jewish Colonization Association. The provenance of the name Argerich is Catalonia.
Howard Arman, Akademie für Alte Musik Berlin - Mozart: Requiem in D Minor, K. 626 - Neukomm: Libera me, Domine (2021)

Howard Arman, Akademie für Alte Musik Berlin - Mozart: Requiem in D Minor, K. 626 - Neukomm: Libera me, Domine (2021)
FLAC tracks | 51:57 | 231 Mb
Genre: Classical / Label: BR-Klassik

"The version submitted by Howard Arman for the Bavarian Radio Chorus is based on surviving Mozart sources as well as on Süßmayr's additions. Mozart's Requiem is followed by Neukomm's Respond Libera me, Domine – and for musical, liturgical and chronological reasons, the programme begins with Mozart's Vesperae solennes de Confessore KV 339 (1780), composed of psalms from the Old Testament as well as the Magnificat from the Gospel of St Luke and composed for the liturgical festival of a holy confessor. Howard Arman has prepended Mozart’s movements for the festival vespers with antiphons taken from the vespers De Confessore Pontifici (for a confessor who was a bishop) of the Gregorian Liber usualis, and has also composed his own organ intonations to enhance the antiphons. Although it remained incomplete as Mozart’s last work, the Requiem in D minor (1791) ranks as one of the most important settings of the Latin Mass for the Dead ever written. Immediately after Mozart's all too premature death, his pupil Franz Xaver Süßmayr elaborated a completed version that is still appreciated and regularly performed to this day because of its close proximity to the original – and this despite a number of new adaptations created over the years that sometimes add cautious improvements to the Süßmayr version or instead follow their own lights entirely."