Mr Kleini

In April 1920, following 12 years of intricate work, Leoš Janáček’s The Excursions of Mr. Brouček premiered at the National Theatre in Prague, the one and only work of his to do so. A century later, the self-same theatre’s soloists, chorus and orchestra returned to the “Broučekiad” at the Rudolfinum in Prague. The present studio recording, after Neumann’s and Jílek’s only the third in the Supraphon catalogue, was thus in part made owing to the closure of theatres and concert halls during the recent Covid pandemic.

In April 1920, following 12 years of intricate work, Leoš Janáček’s The Excursions of Mr. Brouček premiered at the National Theatre in Prague, the one and only work of his to do so. A century later, the self-same theatre’s soloists, chorus and orchestra returned to the “Broučekiad” at the Rudolfinum in Prague. The present studio recording, after Neumann’s and Jílek’s only the third in the Supraphon catalogue, was thus in part made owing to the closure of theatres and concert halls during the recent Covid pandemic.

Mr. Big were one of the few "shredder" pop metal bands (translation: the bandmembers were highly proficient at their instruments) that prized songcraft as highly as virtuosity. The seeds for the group's formation were sown when bass player extraordinaire Billy Sheehan, often called "the Eddie Van Halen of bass," left David Lee Roth's solo band in 1988. Shortly thereafter, he began piecing together a new outfit comprised of former Racer X guitarist Paul Gilbert, drummer Pat Torpey, and singer Eric Martin, the latter of whom had issued a pair of obscure solo releases in the mid-'80s. By 1989, the newly formed quartet had already inked a recording contract with Atlantic, resulting in the release of a self-titled debut the same year.

Mr. Big is the debut album by the American rock supergroup Mr. Big. Produced by Kevin Elson, the album proved a partial commercial success, reaching the 46th slot on the Billboard 200 chart. Lead-off single "Addicted to that Rush", featuring the band's aggressive guitar and bass playing, also brought the group some mainstream attention, reaching the No. 39 slot on the Billboard Mainstream Rock chart. 300,000 copies were sold, according to a Musician magazine interview with Mr. Big in 1990.

Released in 1989, Mr. Big was the scorching debut of one of the finest rock “supergroups”, featuring a veritable who’s-who of seasoned and well-respected players – vocalist and songwriter Eric Martin (of the Eric Martin Band), former David Lee Roth bassist Billy Sheehan, former Racer X guitarist and de facto leader Paul Gilbert and Pat Torpey…

Confessing to a thirty-year love affair with the music of Mexico, Scottish tenor Jamie MacDougall enthusiastically joins forces with Delphian regulars Mr McFall’s Chamber, whose involvement in Latin American music goes back nearly as far.

Mr. Bungle was an American experimental rock band from Eureka, California. The band was formed in 1985 while the members were still in high school, and was named after a 1950s children's educational film regarding bad habits which was later featured in a 1981 Pee-wee Herman HBO special. Mr. Bungle was known for its highly eclectic style, often cycling through several musical genres within the course of a single song. Many of its songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (usually in masks earlier in the band's career) and an array of cover songs. Collection includes: 'Mr. Bungle' (1991); 'Disco Volante' (1995); 'California' (1999).

Soprano Melody Moore has been a fixture of American operatic stages and has also been heard in Europe. Her repertory ranges from Mozart to music of the present day, but her powerful voice is especially well suited to operas of the late 19th century.