Mrs. Wiggs of The Cabbage Patch (1934) Norman Taurog, Pauline Lord, W.c. Fields, Zasu Pitts

Imelda de'Lambertazzi (1830) was written just before Donizetti's first great international success, Anna Bolena, and it remains one of his many operas that has never made it into the repertoire. In his illuminating program notes, Jeremy Commons argues that Imelda was probably Donizetti's most forward-looking, even avant-garde opera; the composer was determined to create music that matched the demands of the drama, and therefore ignored many of the operatic conventions audiences had come to expect. It's no surprise, then, that it was badly received, and has rarely been revived.

Described as "Occult Pop" for fans of ELO, Deep Purple, Fleetwood Mac and Queen, the 9 track record from the Nottingham based "spiritual organisation" sees an expansion on the prog/psych/retro stylings and hook-heavy songwriting of the critically acclaimed debut "Is Satan Real?" (2016). Piano and vintage synths have been introduced alongside the Hammond organ, electric cello and six-part vocal harmonies, resulting in a sound that truly "puts the ABBA in Sabbath".

One of those uniquely '70s groups, Middle of the Road were a Scottish pop vocal group whose singles "Chirpy Chirpy Cheep Cheep," "Tweedle Dee Tweedle Dum," and "Soley Soley" were huge European hits, selling in the tens of millions. Formed by Sally Carr (vocals), Ian McCredie (guitar), Eric McCredie (bass), and drummer Ken Andrew in 1970 (the group had been playing together since 1967, but under the moniker of "Part Three") Middle of the Road had trouble finding success until they uprooted from the United Kingdom and settled in Italy. There they met famed producer Giacomo Tosti, who revamped the group, and molded them in the sound and image that would take them to pop heights.