Mudhoney No One Has (live At Kcsb 11 16 88)

The Grateful Dead bid adieu to their faithful fans with a series of concerts in 2015 called Fare Thee Well. The shows, held in Santa Clara and Chicago, were billed as the last time the Dead alumni would share the stage together but, in typical Dead fashion, several members reconsidered that notion upon the project's conclusion. Bob Weir, Bill Kreutzmann, and Mickey Hart harbored the desire to carry on, but Phil Lesh declined the opportunity to return to the road, leaving the trio with the task of replacing their bassist in addition to finding a substitute for Jerry Garcia (Phish guitarist Trey Anastasio filled that role for Fare Thee Well, but decided to return to his main gig). John Mayer – a newer convert to the Dead who struck up a friendship with Weir – was recruited to play guitar, bassist Oteil Burbridge was hired alongside keyboardist Jeff Chimenti, and this new incarnation of the Dead was dubbed Dead & Company. Following a Halloween unveiling in 2015, Dead & Company set out on the road in 2016. The tour went so well, the band headed back out on the road in the fall of 2017, followed by a summer tour in 2018.

Seulement cinquante ans après leur écriture, les Fables de La Fontaine ont été mises en musique par Louis-Nicolas Clérambault. Méconnues du grand public, ces pièces offrent une perspective à la fois neuve et authentique sur le bestiaire cocasse dont nous sommes tous familiers. La Chapelle Harmonique a choisi de les mettre en valeur dans ce nouvel enregistrement, qui navigue entre récitation, chant et pièces instrumentales et nous plonge dans l’atmosphère des jardins versaillais pour un moment de grande poésie.

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Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Bruce Springsteen once said he intended to make an album with words like Bob Dylan that sounded like Phil Spector with vocals like Roy Orbison's, a nifty summary of many, but not all, of his artistic ambitions and a key to his appeal. Unlike any other singer/songwriters saddled with the appellation of "the new Dylan" in the early '70s, Springsteen never hid how he was raised on '60s AM radio. He loved rock & roll, whether it was the initial blast from the '50s or the mini-symphonies from the days before the Beatles or the garage rockers that surfaced in the wake of the British Invasion, and all this could be heard within his wild, wooly collective E Street Band, a group who debuted on his second album, 1973's The Wild, The Innocent & The E Street Shuffle, and who would support him throughout most of his career.

Blur Live at Wembley Stadium 2x CD / 2 cd housed in a 6 panel softpack including an 18 panel poster fold booklet. Features the complete Sunday Wembley show.