Musica 100 Damned Guns

USE YOUR ILLUSION I 2CD Deluxe Edition presents the album remastered for first-time ever on CD1. UYI I now features “November Rain” with a real 50-piece orchestra for the first-time ever – newly recorded, conducted & arranged by Grammy Award winner & Emmy Award nominated composer Christopher Lennertz. CD2 features 13 unreleased live tracks from London, Paris, Rio de Janeiro, New York & Las Vegas on the UYI 1991/1992 tour all newly mixed. Expanded artwork with unreleased photos & images.

These albums aims to provide a selection of some of the most representative classic of world music, as well as a selection of recent successes, universalized in version "World". This denomination, we have baptized for the occasion as "La Musica De Los Dioses" (The Music of the Gods), provides a spectrum of influences, whose origins are in the most remote places on earth. Sounds, percussion and voices of the Amazon jungles, islands of Borneo and Indonesia or multiple regions of Africa converge here with influences from very different cultures and current rates.

This musical journey takes its title from one of William Corbett's Bizzarie universali, a set of concertos which, in truth, owe much more to the Italian tradition than to the Iberian peninsula.

Young and aspiring musicians devoted to the performance of Baroque music are still having few problems finding composers whose works have remained in the recycle bin of history up until now. Louis-Antoine Dornel was an organist and composer active in Paris in the early decades of the eighteenth century. Much of his music has been lost, but enough records survive to suggest that he was well thought-of in his own day. The set of six suites recorded here was published in Paris in 1709.

While Italians and Frenchmen were competing for musical primacy everywhere on the European Continent, a very characteristically British tonal idiom reigned supreme during this short period of history before foreign influences increased in importance. Musica Alta Ripa’s espousal of an epoch that so far has not received much attention turns out to be a genuine instance of good fortune. With their special feel for the peculiar resonances of English music, these Hanoverian baroque specialists present a royal audio feast and with it genuine enrichment not only for early music enthusiasts.

Nach der atemberaubenden Einspielung der Concerti grossi nun ein Blick in das umfassende geistliche Schaffen Johann David Heinichens, jenes am Dresdner Hof des kunstsinnigen August des Starken tätigen Kompositeurs, um dessen Stelle sich 1733, vier Jahre nach Heinichens Tod, ein gewisser J. S. Bach aus Leipzig — vergeblich — bewarb.