Muslca Antiqua Koln Bach

The Art of Fugue was J.S. Bach's final composition which many justifiably regard as the apotheosis of his legacy. This arrangement by the Musica Antiqua Koln is one of the most austere chamber versions on CD with nearly half of the movements interspersed evenly throughout the performance played by only one or two instrumentalists.

Christine Schäfer's bright, silvery soprano is a perfect vehicle for these solo cantatas. The adventurous Musica Antiqua Köln supports her in lively readings, full of spirit and animation. Schäfer sails through the technical demands with ease, but she also brings a welcome warmth and sensitivity to the texts. Some of the movements are taken at a clip that may surprise, but the performers bring it off with aplomb. The familiar Cantata No. 51 actually isn't a wedding cantata, but its joyous spirit fits the mood, so it's welcome all the same, especially in a performance of such agility and precision.

Such uplifting lively performances. Musica Antiqua Köln plays brilliantly to brings these Secular Cantatas to life.

As director of Musica Antiqua Koln, Reinhard Goebel was constantly on the lookout for musical treasures from the Baroque. In Dresden and Leipzig after the Berlin Wall fell in 1989, Goebel secured access to original manuscripts which allowed him and his Musica Antiqua Koln to record some of the most insightful Bach albums in DG's history. This 13CD box presents Goebel's finest J.S. Bach recordings for DG including The Brandenburg Concertos, Orchestral Suites and Chamber Works.

Georg Philipp Telemann's string concertos position themselves somewhere between the polyphonic complexity of the Bach orchestral sinfonias, the urbanity of Handel's concerti grossi, and Vivaldi's innumerable and endlessly delightful works of this type. But his approach always remained the most international as well as the most local. Two of these concertos, for example, exemplify the "Polish" style appropriate for the Electors of Saxony (Telemann's employers, who were also kings of Poland), with their folky rhythms and groaning bass parts.

French Baroque Concertos - Musica Antiqua Köln
Blavet - Boismortier - Buffardin - Corrette - Quentin
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 406 MB
Recorded: 4/1981 (10-13) & 6/1982, Plenarsaal, München
Released: 1995 | Label: DG Archiv Masters 447 286-2 | TT: 73:10 | RS
Musica Antiqua Köln, Reinhard Goebel

With so much excellent work over the years from MAK, this relatively early jewel has often been overlooked. Music by minor masters this may be but Goebel and his high-powered team are at their persuasive best. (L. K., Gramophone, Sept. 2007)

This album is full of surprises, not all of them associated with its musical contents. Advance PR materials stated that its contents were recorded originally for televised broadcast in 2004, then forgotten, and only just rediscovered. A final recording by the celebrated Musica Antiqua Köln, forgotten by its The music is a bit of a surprise as well, if not the result of an “original genius” that Goebel likens to C. P. E. Bach. Johann Friedrich Meister (1638–97) seems by all accounts to have been something of a rebel, getting himself imprisoned the year after his appointment as music director of the Hofkapelle of Duke Ferdinand Albrecht I of Brunswick-Lüneburg.