Mutsuyuki Motomura And The Jugong Boys & Co. Neapolitan Recorder Concertos (2020)

From start to finish this album defies categorical classification. It employs the best of R&B, Afro-beat, folk, and blues while remaining true to the Blind Boys' gospel roots. And with a tasteful selection of material by Tom Waits, Mick Jagger and Keith Richards, and Ben Harper, in addition to their usual array of traditional gospel hymns and folk tunes, it will appeal to generations of listeners. Though varied in its stylings, the album works as a whole due to the high-quality production, arrangements, and musicianship throughout.

Holland is the 19th studio album by the American rock group the Beach Boys, released on January 8, 1973. Self-produced by the band, the album peaked at number 36 in the US and number 20 in the UK. The album is the second of two studio recordings to feature Blondie Chaplin and Ricky Fataar, who joined the band the previous year to record Carl and the Passions – "So Tough". It is also the third and final studio album created under the management of Jack Rieley.

Make no mistake, Willy & the Poor Boys is a fun record, perhaps the breeziest album CCR ever made. Apart from the eerie minor-key closer "Effigy" (one of John Fogerty's most haunting numbers), there is little of the doom that colored Green River. Fogerty's rage remains, blazing to the forefront on "Fortunate Son," a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, which is one of the reasons that it hasn't aged where its peers have…

Make no mistake, Willy & the Poor Boys is a fun record, perhaps the breeziest album CCR ever made. Apart from the eerie minor-key closer "Effigy" (one of John Fogerty's most haunting numbers), there is little of the doom that colored Green River. Fogerty's rage remains, blazing to the forefront on "Fortunate Son," a working-class protest song that cuts harder than any of the explicit Vietnam protest songs of the era, which is one of the reasons that it hasn't aged where its peers have. Also, there's that unbridled vocal from Fogerty and the ferocious playing on CCR, which both sound fresh as they did upon release…