My Girl (1991)

Blue Note's So Blue, So Funky, Vol. 1 is a 12-track compilation that highlights the funkiest soul-jazz organists that recorded for the label, whether it was a leader or as a sideman. Although there's a handful of cuts from the early '60s, such as "Face to Face" by the terrific, underrated Baby Face Willette, the compilation leans toward the funky fusions of the late '60s, such as Big John Patton's "Fat Judy," Lou Donaldson's "Everything I Do Is Gon' Be Funky (From Now On)," Jack McDuff's "Butter for Yo' Popcorn" and Grant Green's "Ain't It Funky Now." The best thing about this comp is that even though it has familiar names, not all of the material is readily available on CD, which makes it of interest to casual groove fans and serious collectors alike.

Mungo Jerry may seem like an ultimate one-hit wonder, since their big hit "In the Summertime" seems like the very definition of a novelty one-off, but the post-hippie, British jug band actually had a pretty varied, interesting body of work. The Best Of Mungo Jerry collects much of the very best of that work, and while there are some notable songs missing (such as "Motherfucker Boogie"), this is a consistently entertaining collection that will satisfy the needs of most listeners.

Texan Albert Collins was in the very first rank of post-war blues guitarists. This two-CD set is a reissue of all 36 sides he cut for Imperial from 1968 to 1970, representing this artist's second major recording stint. Instrumentals comprise roughly three-fourths of the material. They frame his distinctive guitar work with a tight ensemble of organ, bass, and drums, adding at times a piano and/or second guitar, punctuated by a horn section. About ten of these tunes are as great as anything Collins ever did. They are riddled with the biting, incisive, dramatic, and economical playing that made him a legend. There are also some outstanding vocals. Although this set is not without its clinkers, it is a solid package and a must for any Collins fan.

Between stints with the Fabulous Thunderbirds and his work as a busy session player, Roomful of Blues founder and original guitarist Duke Robillard finds time to work with his own band, one of the most rockin' ensembles extant, highlighted by the vocal support of Susann Forrest. "Turn it Around" is yet another excellent Duke Robillard offering which features guest artist Suzanne Forest. This album was released about the same time as the Fabulous Thunderbirds' "Walk that Walk, Talk that Talk" disc, and Duke's guitar and vocals are on the same high level as on the latter. Add angelic vocals by Ms. Forest and this disc is a superb representation of vintage Duke Robillard. Anybody who enjoys blues, Texas rock 'n roll and r&b needs to add this to their collection.

Nat King Cole - The Complete Capitol Recordings Of The Nat King Cole Trio (1942-1961) {18CD Box Set Mosaic MD18-138 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.87 Gb | MP3 @320 -> 2.10 Gb
Full Artwork @ 300 dpi (png) -> 186 Mb | 5% repair rar
© 1942-61, 1991 Capitol / Mosaic Records | MD18-138
Jazz / Vocal Jazz / Swing / Traditional Pop

This collection contains 349 songs recorded at 91 separate recording sessions between October 11, 1942 and March 23, 1961. Two-thirds of the selection on this 18-disc anthology have either been out out of print since the 1940s, or have never been released in any form. Cole's 1956 album, AFTER MIDNIGHT, is included here in its entirety, along with all of the trio's more familiar songs. Included in this set are 104 tracks previously unavailable on US LPs. Sixty-six of the tracks were previously unavailable anywhere. Fifty-six rare Capitol radio transcriptions appear commercially for the first time. Dozens of the tracks appear at the correct speed for the first time ever.

Unfortunately, Sparks never enjoyed more than a small, though devoted, cult following. But it certainly wasn't for a lack of effective hooks and clever, insanely funny lyrics. While a few of the L.A. pop/rockers' albums were disappointing, many others were exceptional. For those seeking an introductory overview of Sparks' legacy, this two-CD set is highly recommended. From "Achoo" to "Tips for Teens" to "This Town Ain't Big Enough for the Both of Us," Profile makes it clear just how delightfully goofy Sparks could be.

With apologies to Dianne Reeves, Patti Austin has always quite simply been the best jack-of-all-genre singers on the planet, crossing effortlessly from jazz to pop and R&B with a voice that's so sweet, rich, and lovely, it can't help but warm the heart. On the heels of her 1988 masterpiece The Real Me, her GRP debut packs a wallop of festive up tempo tunes, lite funk pop, torchy message songs, passionate ballads, and breezy tenderness – all delivered with a truly Austin-tatious flair. Austin surrounds herself with some of pop jazz's best here, with GRP's 1990 roster well represented: Dave Grusin (whose production is flawless), Don Grusin (with whom she co-wrote the happy "Ooh Wee (The Carnival)"), Deborah Henson-Conant (whose harp adds punch to "In My Dreams"), Lee Ritenour, and Nelson Rangell (whose alto soars on the title cut).