N'avoue Jamais

Our film is a legend! In 1964, Henri-Georges Clouzot chose 26 years-old Romy Schneider and 42 years-old Serge Reggiani, to be the leads of L’ENFER. An enigmatic and original project; an unlimited budget; a film, which was meant to be the cinematographic event at its release. However, after 3 weeks into filming, drama happens. The project is interrupted and the images, which were told to be “incredible”, will never be shown.
I have recovered those images that were forgotten for half a century and they are more mind-blowing than the legend predicted. They are telling a unique film, that of madness and jealousy filmed from a subjective point of view, the story of a cursed filming and that of Henri-Georges Clouzot, who had set free his mad film making talent. Romy Schneider has never been so beautiful and magnetic. Never a director has been so close to the hero he invented. Our film shows L’ENFER such as it was shot and tells the emotional story of a magnificent failure.

À travers des archives inédites et des interviews exclusives, la nouvelle série Israël et les Arabes passe au crible la succession de tentatives diplomatiques qui, depuis 1999, ont échoué à enrayer la violence. Norma Percy et Brian Lapping pousuivent ici leur grande fresque historico-politique.

Our film is a legend! In 1964, Henri-Georges Clouzot chose 26 years-old Romy Schneider and 42 years-old Serge Reggiani, to be the leads of L’ENFER. An enigmatic and original project; an unlimited budget; a film, which was meant to be the cinematographic event at its release. However, after 3 weeks into filming, drama happens. The project is interrupted and the images, which were told to be “incredible”, will never be shown.
I have recovered those images that were forgotten for half a century and they are more mind-blowing than the legend predicted. They are telling a unique film, that of madness and jealousy filmed from a subjective point of view, the story of a cursed filming and that of Henri-Georges Clouzot, who had set free his mad film making talent. Romy Schneider has never been so beautiful and magnetic. Never a director has been so close to the hero he invented. Our film shows L’ENFER such as it was shot and tells the emotional story of a magnificent failure.

Le bâtiment construit à Berlin entre 1993 et 1998 pose d’emblée une question que l’architecture n’a pas l’habitude d’aborder : celle de ses propres limites. Comment l’architecture peut-elle construire là où tout a été détruit, comment peut-elle se confronter à l’histoire et surtout à cette histoire-là ?

Chaque année, entre mai et octobre, ils reviennent. Sur l’île de Tanna, au sud de l’archipel du Vanuatu, les touristes descendent de gros bateaux et se livrent avec le sourire aux cannibales. «En Occident, on ne dévore plus ni ses proches ni ses ennemis…

Il travaille dans le cinéma, elle, dans l'enseignement, mais s'ennuient à mourir. Bientôt, elle abandonne. En couple depuis trois ans, ils ont une vie sexuelle, des rapports, mais un jour, elle ne veut plus. Sans qu'il ne s'en soit jamais rendu compte, elle n'a jamais éprouvé de plaisir avec lui. Il se rebiffe et ensemble, ils améliorent leurs techniques. Les résultats se font ressentir mais un jour, elle tombe enceinte…