Columbia, apparently attempting to cash in on Pink Floyd's explosion in popularity, released this album in 1981 under Nick Mason's name when in reality he's simply the drummer in this incarnation of Carla Bley's ensemble; Ms. Bley composed all the music and lyrics for this project. It's possibly her most overtly pop-oriented album, with all eight songs featuring vocals by Soft Machine alumnus Robert Wyatt. The music, by Bley's standards, is fairly pedestrian if occasionally catchy, though the lyrics are often wryly amusing…
Nick Mason is the drummer of Pink Floyd and the only member to have remained in the group for its entire existence. Born Nicholas Berkeley Mason on January 27, 1944 in the Downshire Hills area of Birmingham, England, he met future bandmates Roger Waters and Rick Wright while studying architecture at Regent Street Polytechnic. He began playing with them in Sigma 6 in 1963, and in the Screaming Abdabs the following year, and in 1965 the Syd Barrett-led blues/R&B outfit that soon became Pink Floyd…
Following on from the successful An Idiot Prayer live album and livestream event released this year, Nick Cave releases B-Sides and Rarities: Part I and Part 2. B-Sides and Rarities: Part 2 was compiled by Nick Cave and Warren Ellis and features 27 tracks. It includes tracks from Dig, Lazarus, Dig!!! in 2006 to 2019s Ghosteen and 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.
Nick Cave launched his solo career in style with From Her to Eternity, an accomplished album mixing the frenzy and power of his Birthday Party days with a dank, moody atmosphere that showed he was not interested in simply continuing what the older group had done. To be sure, Mick Harvey joined him from the Party days, as ever playing a variety of instruments, while one-time Party guest Blixa Bargeld now became a permanent Cave partner, splitting his time between the Bad Seeds and Einsturzende Neubaten ever since. The group took wing with a harrowing version of Leonard Cohen's "Avalanche," Cave's wracked, buried tones suiting the Canadian legend's words perfectly, and never looked back. From Her to Eternity is crammed with any number of doom-laden songs, with Cave the understandable center of attention, his commanding vocals turning the blues and rural music into theatrical exhibitionism unmatched since Jim Morrison stalked stages.
Nick Cave is a singular figure in contemporary rock music; he first emerged as punk rock was making its presence known in Australia, but though he's never surrendered his status as a provocateur and a musical outlaw, he quickly abandoned the simplicity of punk for something grander and more literate, though no less punishing in its outlook…