Nika Paris Lonely (live)

Sting: Live At The Olympia Paris captures the musician’s critically-acclaimed guitar-driven rock tour as it hit the French capital for a very special performance at the iconic venue in April, 2017…

Live At The Olympia Paris captures the musician’s critically-acclaimed guitar-driven rock tour as it hit the French capital for a very special performance at the iconic venue in April, 2017…

Live in Paris & Ottawa 1968 is a posthumous live album by The Jimi Hendrix Experience, released on September 5, 2008 by Dagger Records. The album contains songs from the band's performances at the Olympia Theatre in Paris, France on 29 January 1968 and the Capitol Theatre in Ottawa, Ontario, Canada on March 19, 1968.

Joseph "Nin-Nin" Reinhardt (March 1st 1912 - February 7th 1982). If anyone was born in someone else's shadow it was Joseph Reinhardt. Brother to Django Reinhardt he selflessly played a rhythm guitarist's role for his more famous brother, even though he was a great guitarist and composer himself. Joseph could be found accompanying his brother in cafes and in the bal-musette halls on either guitar or banjo and soon progressed to play with Louis Volas's Palm beach Orchestra. By 1933 he was popular and was found playing in various groups playing hot jazz…

With her pre-bop piano style, cool but sensual singing, and fortuitously photogenic looks, Diana Krall took the jazz world by storm in the late '90s. By the turn of the century she was firmly established as one of the biggest sellers in jazz. Her 1996 album All for You was a Nat King Cole tribute that showed the singer/pianist's roots, and since then she has stayed fairly close to that tradition-minded mode, with wildly successful results…

The first of two CDs recorded for broadcast from a February, 1972 Paris Concert, this 45-minute set captures the Bill Evans Trio in excellent form, although the mood of this portion of the concert seems rather reserved overall. Evans opens with one of his favorite originals, "Re: Person I Knew," which is much slower than typical but absolutely captivating. Also notable are the dramatic "Turn Out the Stars" and top-notch versions of Scott LaFaro's "Gloria's Step" and Michel Legrand's timeless "What Are You Doing the Rest of Your Life?" The overall melancholy mood of this performance adds a new dimension to several of the pieces within it.

Bill Evans - Live In Paris, 1972 Vol. 1 (1988) {Esoldun France FCD 107}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 326 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1972, 1988 Esoldun / France's Concert | FCD 107
Jazz / Cool / Modal Music / Piano

The first of two CDs recorded for broadcast from a February, 1972 Paris Concert, this 45-minute set captures the Bill Evans Trio in excellent form, although the mood of this portion of the concert seems rather reserved overall. Evans opens with one of his favorite originals, "Re: Person I Knew," which is much slower than typical but absolutely captivating. Also notable are the dramatic "Turn Out the Stars" and top-notch versions of Scott LaFaro's "Gloria's Step" and Michel Legrand's timeless "What Are You Doing the Rest of Your Life?" The overall melancholy mood of this performance adds a new dimension to several of the pieces within it.

Keith Jarrett - My Foolish Heart (2007) [2CD] + Paris/London. Testament (2009) [3CD] {ECM}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.25 Gb | MP3 @320 -> 646 Mb
Full Artwork @ 300 dpi (jpg) -> 129 Mb | 5% repair rar
© 2007, 2009 ECM Records | ECM 2021~22 / ECM 2130~32
Jazz / Post Bop / Modern Creative / Piano

My Foolish Heart is an anniversary release celebrating 25 years of the Keith Jarrett, Gary Peacock, and Jack DeJohnette trio's traveling and performing together despite the rich and varied individual careers of its members. Recorded in 2001 at the Montreux Jazz Festival, Jarrett held the tape close to the vest until what he felt was the right time for release – whatever that means. The bottom line is, listeners are very fortunate to have it. The official live offerings by this group have always been crystalline affairs of deep swinging communication, no matter the material. Not only is My Foolish Heart no exception, it is perhaps the standard by which the others should be judged.