Nme From 23 August 2014 Pdf

'Ultimately it s the period instrument pungency of Andreas Staier, Daniel Sepec and Jean-Guihen Queyras that takes the palm, and unless you have a complete allergy to authentic instruments, it s this version that I recommend overall. No-one quite matches the sense of elation they find in the finale and the piano s myriad tones through its different registers add to its colouristic effect; colour, that word again; but it s inescapable in this reading. And it s not just to be found in the keyboard: the string pit staccatos near the close are deliciously enthusiastic. Relish too the way they bring out Beethoven s daring harmonic sleights of hand in the closing moments: that sense of danger, so essential in this piece, makes this version nothing less than a modern classic.'

This edition contains all 1962 collaborations by Joe Pass and pianist Les McCann, who would continue working together the following year. Their 1962 output consists of their participation on Richard “Groove” Holmes LP "Somethin' Special" and on McCann's own album "On Time". Both records appear here in their entirety, as well as two tracks from the second LP that were not included on the original album. As a bonus, the complete LP "Back in Town!". Issued under the name of singer/guitarist Bumble Bee Slim (born Amos Easton), it consisted of two sessions, one featuring Pass, and the other featuring McCann.

This live double album features Coco Montoya and his band on the Road, as part of a RUF records series of on The Road albums delivered from their catalogue of blues artists. The opening track I Got A Mind To Travel, is an apt starting point and introduces us to the full band of musicians Coco Montoya uses to augment his vocal and guitar skills the use of Hammond Organ delivered with panache by Brant Leeper who also adds to the vocals. Throughout the album there are glimpses of Coco Montoya’s exceptional musical career especially the influence he certainly gives the feel of movement and the guitar sound is an homage to his old boss Albert Collins while playing the guitar left-handed and upside down like the other Albert King! Coco’s playing is instinctive full of fluidity. The whole album is easy on your ear and an enjoyable listening experience BUT at times you want Coco to let loose and really show us what he is capable of. On Love Jail his guitar takes on the shape and form of Albert Collins and all the better for it, even his vocals strengthen as the beat picks up, this is a stylish ten minute track. This album has fourteen tracks where Coco and his band just want to please as they play for the length of time need ( Never less than 5 minutes and up to a mighty 15 minutes) to explore all the alleyways and nooks and crannies they feel the music is taking them on their journey of discovery with you, there is freedom of expression that only live music free from the constrains of a studio walls and mixing desk.

Al Jarreau and George Duke were friends long before they became household names. They began playing together in the mid-1960's in San Francisco as Al Jarreau and the George Duke Trio. The successes of these performances are what helped to launch both their careers. George's tragic passing in August, 2013, inspired Al to record this loving tribute to his longtime friend. With the exception of the fitting title track composed by Jarreau, all the tunes were written by George. Guest artists/collaborators include Gerald Albright, Stanley Clarke, Dr. John, Lalah Hathaway, Boney James, Marcus Miller, Jeffrey Osborne, Kelly Price, Dianne Reeves and Patrice Rushen. There's even a song with George Duke playing on it!

"No Mercy," with special effects recorded at Madison Square Garden, has the sentiment of Simon & Garfunkel's "The Boxer." The double entendre being the rock musician oftentimes works on the same stage as the fighter, of course, punching away in the ring of life. Nils Lofgren is a veteran who has performed with Bruce Springsteen, Neil Young, and so many others, working here with producer Bob Ezrin who helped create Pink Floyd's The Wall. As with any great artist, Ezrin brings in his various contacts which color the recordings he makes, insuring a product that is as much the producer's as it is Nils Lofgren's. Dick Wagner co-wrote the hits "Only Women Bleed" and "You And Me" with Alice Cooper…

"I'm not Bob Dylan, but I never miss a beat" sings Nils Lofgren on 1977's I Came to Dance, a very polished collection of nine songs produced by the guitar virtuoso and drummer Andy Newmark…

Wes Montgomery - In The Beginning: Early Recordings from 1949-1958 (2014) {2CD Set Resonance Records HCD-2014}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 759 Mb | MP3 @320 -> 325 Mb
Full Artwork @ 600 dpi (jpg) -> 224 Mb | 5% repair rar
© 1949-58, 2014 Resonance Records | HCD-2014
Jazz / Bop / Hard Bop / Guitar

Rare Wes Montgomery material is hard to come by. Not counting Willow Weep for Me, the posthumous LP Verve issued in 1968 not long after the guitarist's passing, there was Resonance's 2012 set Echoes of Indiana Avenue, which contained largely live performances from 1957 and 1958. In the Beginning, released three years after Echoes, draws from a similar well of unreleased recordings, offering a heavy dose of live material along with five sides produced by Quincy Jones at Columbia Studios in 1955, plus three tracks a session at Spire Records in Fresno, California in 1949.