Nachtgestalten The Alley Cat

It shouldn't come as a surprise to any fan of Nick Moss that a band signed to his Blue Bella label and produced by him would have a gritty, tough and raw approach similar to his own. The Chicago-based five-piece Kilborn Alley Blues Band recorded its first album in only three days, so the feel of Put It in the Alley is as immediate and uncompromising as a live show. Songs shift moods from the basic, stripped down Windy City blues of "The Blues Takes Me In" to the Southern-fried R&B of "Thousand Miles." Lead singer/guitarist/frontman Andrew Duncanson sounds somewhat like a cross between Wet Willie's Jimmy Hall and early Boz Scaggs, using his soulful croon to soften the attack of the band's gruffer sound. But it's harp player Joe Asselin, who has surely listened to his Little Walter albums, that adds feral heat, especially on the seven-minute slow blues "The Breakaway." All but one of the songs is original, and although none of them reinvent the blues wheel, they are all solid vehicles for the band to lay into.

Although no new ground is covered on The Screamin Cat, Austin-based Omar and the Howlers simply continue to forge ahead, creating another energetic blues and boogie disc. Luckily, the Howlers have never stuck to one style of blues; they aren't purists, which allows plenty of room for a hopped-up mixture of swamp blues, Memphis soul, roots rock, and whatever else it takes to get their audience moving. Their party ethics are personified on The Screamin Cat by songs like "Party Girl," "Steady Rock," "Snake Oil Doctor," and the title track. Lead guitarist Omar Dykes' gravelly Howlin Wolf roar remains intact while Howler musical duties are shared by Bruce Jones on bass (three tracks); Rick Chilleri on drums (one track); Malcolm "Papa Mali" Welbourne on guitar, B-3, and bass; and B.E. "Frosty" Smith on drums, percussion, B-3, and Fender Rhodes.