Napoleon's Run Jonathan Spencer

First-ever complete collection of all the recordings made by 60’s Hammond driven R&B Pop stars The Spencer Davis Group during the period 1967-1969.
Disc One features their 1967 singles recorded with Winwood replacements Phil Sawyer and Eddie Hardin, including the pop sike classics ‘Time Seller’ and ‘Mr Second Class’. Also their recordings used in the film soundtrack “Here We Go Round The Mulberry Bush”. The second half of Disc One comprises their 1968 single and album recorded with Sawyer’s replacement Ray Fenwick, who brought with him the excellent ‘After Tea’ (co-written with Dutch Tee Set pop master Hans Van Eijck). Album With Their New Face On is a mix of jazzy R&B and pop psychedelia. The standout R&B track is ‘Don’t Want You No More’, which was later covered by The Allman Brothers…

The Spencer Davis Group were one of several excellent British R+B bands of the sixties. Best remembered in Britain for Keep on running (one of the best songs of the sixties, regardless of genre), by the time they started to make an impression in America, they were on the verge of losing their key man, Steve Winwood…

First-ever complete collection of all the recordings made by 60’s Hammond driven R&B Pop stars The Spencer Davis Group during the period 1967-1969.
Disc One features their 1967 singles recorded with Winwood replacements Phil Sawyer and Eddie Hardin, including the pop sike classics ‘Time Seller’ and ‘Mr Second Class’. Also their recordings used in the film soundtrack “Here We Go Round The Mulberry Bush”. The second half of Disc One comprises their 1968 single and album recorded with Sawyer’s replacement Ray Fenwick, who brought with him the excellent ‘After Tea’ (co-written with Dutch Tee Set pop master Hans Van Eijck). Album With Their New Face On is a mix of jazzy R&B and pop psychedelia. The standout R&B track is ‘Don’t Want You No More’, which was later covered by The Allman Brothers…

Gioacchino Rossini was born to a family of musicians in 1792. He began writing music at 15 and by 1829 he had written nearly 40 operas and had been the toast of society. He had early success in 1813 with "Tancredi" and in 1816 with "The Barber of Seville" (under the title of "Almaviva"). And while he wrote some songs and sacred works along the way, he won the world over with his operas and concluded with "Guillaume Tell" (William Tell) in 1829. Thereafter, he wrote sacred works and small works for his own delight that he shared with his friends at soirées in his home (they were regular and sought after events between 1857 until his death in 1868). He wrote hundreds of these pieces and would play the piano (he called himself a pianist of the fourth class) for the singers.

The Spencer Davis Group reunited in 1973 and recorded Gluggo, its title referring to obscure slang for alcohol. In an attempt to keep with the times, the group chose a harder-rocking sound, which didn't sit well with their fondness for jazz and blues. Songs such as "Catch You on the Rebop", "Mr. Operator", and "Tumble Down Tenement Row" are characteristic of the group's 1960s sound, featuring precise drumbeats, loosely played organ, and hollered singing. Other songs include the instrumental "Today Gluggo, Tomorrow the World", a cover of the old blues "Trouble in Mind" (performed in the style of Nashville sound and twang vocals), and the country pop song "Legal Eagle Shuffle", which follows the genre's typical storyline of divorce and truck driving.

The Spencer Davis Group reunited in 1973 and recorded Gluggo, its title referring to obscure slang for alcohol. In an attempt to keep with the times, the group chose a harder-rocking sound, which didn't sit well with their fondness for jazz and blues. Songs such as "Catch You on the Rebop", "Mr. Operator", and "Tumble Down Tenement Row" are characteristic of the group's 1960s sound, featuring precise drumbeats, loosely played organ, and hollered singing. Other songs include the instrumental "Today Gluggo, Tomorrow the World", a cover of the old blues "Trouble in Mind" (performed in the style of Nashville sound and twang vocals), and the country pop song "Legal Eagle Shuffle", which follows the genre's typical storyline of divorce and truck driving.