Released in 2013 under the name ME AND MY KITES, 'Like a Dream Back Then' was a collaborative effort headed by David Smedmyr (OUR SOLAR SYSTEM, LÜÜP) and comprised of fellow Swedish acts LISA O PIU, LIFE ON EARTH!, ANNAMY, PROMISE AND THE MONSTER, CIRRUS WINERY, A, JENNIE STABIS, LAIKE, SIRI KARLSON and LOST IN RICK'S WARDROBE. The album is a throwback to a couple generations of Swedish psychedelia and folk with sometimes vague pop aspirations. The music will likely appeal to all manner of progressive and weird music fans. The group has made several live appearances post album release.
One of the most renowned and uncompromising entities working in 21st century avant-garde Arab-Levantine art and music, Jerusalem In My Heart presents a new album of vital and haunting electronics and electroacoustics, framed by founder and producer Radwan Ghazi Moumneh’s spoken and sung Arabic, buzuk-playing and sound design. Qalaq is the most distilled, variegated and finely wrought Jerusalem In My Heart album to date – featuring a different guest/collaborator on every track, yet as cohesive, emotionally resonant, sonically adventurous and narratively powerful as any release in JIMH’s celebrated discography. Guests across the album's 13 tracks include Moor Mother, Tim Hecker, Lucrecia Dalt, Greg Fox, Beirut, Alanis Obomsawin, Rabih Beaini and many more.
Just as the subtitle says, this six-CD, 158-track collection has "The Complete Hollies April 1963-October 1968". That's everything recorded when singer Allan Clarke, guitarist/singer Tony Hicks, and guitarist/singer Graham Nash, who were the three constants in the band (though drummer Bobby Elliott was there for all but the earliest of these recordings, too). As such, it's a major British Invasion document. Even if it's missing some work postdating Nash's departure in late 1968 which is highly regarded by some fans (including their hits "He's Not Heavy, He's My Brother," "Long Cool Woman in a Black Dress," and "The Air That I Breathe"), most fans would agree that the Nash era is by far the band's most significant…
As diverse and vibrant as the Swedish jazz scene may be, it’s not possible to avoid market trends even here. There are only two professional, continuously working big bands in the country - the Norrbotten and the Bohuslän Big Bands. The latter originated during the Fifties from a military band whose tradition dates back to the early 19th century. The Bohuslän region and the city of Vara support the orchestra, which allows the group to develop its diverse activities, ranging from performances at Swedish schools to regular appearances at the big international festivals with about 100 annual concerts worldwide.
Since 2007 Nils Landgren has been the artistic director of the Bohuslän Big Band, a role for which he is perfect in many ways…