Nathy Peluso La Sandunguera

Roman accounts of the nobleman Kapsperger reveal a highly eccentric musician: a virtuoso theorbist, a singer, a successful composer, he was said to be arrogant, even irascible. A character straight out of a novel, as the musicians of L’Escadron Volant de la Reine present him in their first album on harmonia mundi, aided and abetted by a distinguished partner: on this colourful disc, the madrigals, villanellas and arias of ‘Il Tedeschino’ (The German) meet the literary fantasy of the writer Carl Norac.

These albums aims to provide a selection of some of the most representative classic of world music, as well as a selection of recent successes, universalized in version "World". This denomination, we have baptized for the occasion as "La Musica De Los Dioses" (The Music of the Gods), provides a spectrum of influences, whose origins are in the most remote places on earth. Sounds, percussion and voices of the Amazon jungles, islands of Borneo and Indonesia or multiple regions of Africa converge here with influences from very different cultures and current rates.

It's been over 10 years since the last edition, this new volume of "La Musica De Los Dioses" subtitled "Requiem" find fourteen original pieces that try to provide a spectrum of influences whose origins come from the most remote places on the planet. Chill flamenco, the mystical sound, the Eastern atmospheres and Classic, Chill Out and Ambient. They combine to offer an album with unique identity of its kind. Sounds and influences combine to create a timeless atmosphere, where ethnic and electronic sounds offer a whole multi-cultural sound spectrum. On this occasion La Musica De Los Dioses offers sounds, percussions and voices of the Amazon forest, the tropical islands and Indonesia or multiple regions of Africa, Gregorian chants, sounds with "Alma" converge here with the influences of very different cultures and current rates. Each of the pieces is a marvel of harmony and instrumentation with eternal stories of love and passion.

The Russian composer Sergey Akhunov (b. 1967) was educated at the Kiev State Conservatory, before he started his career as an oboe player. He subsequently gained experience in various musical styles and genres such as electronic music and rock. In the mid-2000s, he consistently turned to composing orchestral, chamber and vocal music, but also film music. This recording presents vocal music by Akhunov, including "Songs", which he wrote as a commission for La Voce Strumentale. Dmitry Sinkovsky as the spiritus rector of the recording - he is at the same time singer (countertenor) and conductor - succeeds in an impressive way, among others seconded by soprano Julia Lezhneva in three songs, in combining tonal contemporary music with the sound of an early music ensemble.

In the early summer of 1630, Venice was struck by the plague in a devastating way: It raged for 18 months and killed almost 50,000 people, more than a third of the population at the time! Doge Nicolò Cantarini vowed to build a large church for the deliverance from the plague, and even though he was unable to experience it himself, this vow was carried out. With the Santa Maria della Salute, one of the most magnificent churches in the city was built. Since the year of liberation in 1631, the festival in honor of 'Saint Mary of Health' has been celebrated every year in November. The ensemble ecco la musica has set out to find out what the music of the first Festa della Salute in 1631 might have sounded like, combining what already existed with what was new at the time and commemorating the composers who died. With the end of the epidemic, there was also a musical change, from the wind-dominated polychoral music of Gabrieli, to the style of the seconda prattica of Monteverdi and his successors with solo singers and virtuoso string accompaniment.