National Theatre Live The Last Of The Haussmans

Alex Harvey - The Last Of The Teenage Idols (2016) {14 CD Box Set Universal 536212-0 rec 1963-1978}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.38 Gb | MP3 @320 -> 2.14 Gb | Artwork | 5% repair rar
© 1963-78, 2016 Universal Music | 536 212-0
Rock / Blues / Pop / Glam Rock / Hard Rock / Blues Rock / Rhythm & Blues

Universal Music pay tribute to the short but prolific musical life of enigmatic Glasgow blues-rocker Alex Harvey with the biggest-ever, career-spanning, cross-label collection of his work. A total of 217 fully remastered tracks (with much of the material from the original master tapes) includes 21 that are previously unreleased, and a further 59 that are appearing officially on CD for the first time.

Hot Burritos! The Flying Burrito Brothers Anthology 1969–1972 is an album by the country rock band the Flying Burrito Brothers. It was released in 2000. A forty-three song compilation on two CDs, it includes all of their first three albums — The Gilded Palace of Sin (1969), Burrito Deluxe (1970), and The Flying Burrito Bros (1971) — along with eleven additional songs. The album's bonus tracks include the non-LP single, "The Train Song". "Ain't That a Lot of Love" and "Losing Game" were taken from the live album Last of the Red Hot Burritos (1972). According to a note on the back cover, the entire album was "24-bit remastered from the original master tapes."

This was the last of the six albums John Mayall originally made for Blue Thumb/ABC Records between 1975 and 1978, about which he has said, "ABC released six of my albums as a tax write-off. A week after they were released you couldn't find them in any store." It's a live album on which Mayall fronts a quartet consisting of guitarist James Quill Smith (who sings lead on several songs), bassist Steve Thompson, and drummer Soko Richardson. The approach is rock-oriented, and the set list includes such Bluesbreakers favorites as Mose Allison's "Parchman Farm," and Freddie King's "Hideaway" (taken at a frantic tempo), along with the usual complement of generic Mayall originals, among them, a remake of "The Bear," from Blues From Laurel Canyon.

The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group's albums for almost a decade to be done under reasonably happy and satisfying circumstances – for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow, across close to four months (interrupted by a tour of the United States right in the middle)…

The best-realized of their classic albums, Every Good Boy Deserves Favour was also the last of the group's albums for almost a decade to be done under reasonably happy and satisfying circumstances – for the last time with this lineup, they went into the studio with a reasonably full song bag and a lot of ambition and brought both as far as time would allow, across close to four months (interrupted by a tour of the United States right in the middle)….