Native Instruments Amati Viola V1.2.0

Native Instruments Amati Viola v1.2.0 KONTAKT  Software

Posted by orientazure at Oct. 28, 2021
Native Instruments Amati Viola v1.2.0 KONTAKT

Native Instruments Amati Viola v1.2.0 KONTAKT | 21.7 Gb

A pioneering luthier, Andrea Amati is widely regarded as the inventor of the violin as we know it. His son Gerolamo continued this tradition in the family workshop in Cremona, and built the quartet’s oldest instrument, the ‘Stauffer’ viola, in 1614.

Native Instruments Cremona Quartet v21.06.21 KONTAKT  Software

Posted by envasel at June 21, 2021
Native Instruments Cremona Quartet v21.06.21 KONTAKT

Native Instruments Cremona Quartet v21.06.21 KONTAKT
Amati Viola v1.0.1 | Guarneri Violin v1.0.1 | Stradivari Violin v1.1.3 | Stradivari Cello v1.0.1 | 91.1 GB

EXQUISITE STRINGS COLLECTION
CREMONA QUARTET brings together four of the world’s most valuable string instruments. Featuring phase-aligned stereo samples and performance-captured vibrato, plus extensive chromatic sampling of 20 articulations, every quirk and nuance of these historic treasures is now available to producers via a wealth of cutting-edge parameter controls.
Paolo Ghidoni, Alfredo Zamarra - Luigi Gatti: Six Sonatas for Violin & Viola (2011) 2CDs

Luigi Gatti: Six Sonatas for Violin & Viola (2011) 2CDs
Paolo Ghidoni (violin), Alfredo Zamarra (viola)

EAC | FLAC | Tracks (Cue&Log) ~ 445 Mb | Mp3 (CBR320) ~ 214 Mb | Scans included
Genre: Classical | Label: Brilliant Classics | # 94145BR | Time: 01:26:37

The sonatas presented in this recording, labelled as Sonate à Violino e Viola in the autograph score at the Biblioteca Musicale Greggiati in Ostiglia and as Sonate Per Violin solo con accompagnamento di Viola in the parts at the Salzburg Museum, are likely to date back to the very beginning of Gatti’s stay in Salzburg. The autograph is written on paper whose watermarks suggest a date of about 1783. If so, the works were probably commissioned by archbishop Colloredo, for whom a similar cycle of six sonatas was composed in the same year by Michael Haydn, MH 335–38, and W. A. Mozart, K 423–24. (Another set of six by Joseph Hafeneder in the Toggenburg Collection of Bolzano, minus the first sonata, may share the same origin). In which case, the violin part was probably intended for Colloredo himself, a “good performer on the violin” according to Charles Burney.The archbishop was also said to “enjoy performing on the violin, which he played very well” and to be in the habit of “mingling with the court musicians and playing the violin with them” before dinner. Liner notes by Alessandro Lattanzi, the world’s leading authority on Luigi Gatti.
Ellen Nisbeth, Bengt Forsberg - Let Beauty Awake: Ralph Vaughan Williams, Rebecca Clarke, Benjamin Britten (2017)

Let Beauty Awake: Ralph Vaughan Williams, Rebecca Clarke, Benjamin Britten (2017)
Ellen Nisbeth, viola; Bengt Forsberg, piano

EAC | FLAC | Image (Cue&Log) ~316 Mb | Mp3 (CBR320) ~ 186 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-SACD-2182 | Time: 01:20:19

Despite her youth, Ellen Nisbeth has received acclaim both in her native Sweden and abroad and is one of the Rising Stars selected by the European Concert Hall Organisation (ECHO) for the 2017/2018 season. A former student of London's Royal College of Music, she hails from a family of Scottish origin and feels a particular affinity for the landscapes of Scotland, and for the Scottish author Robert Louis Stevenson. For her first recital disc Ellen Nisbeth has devised an all-British programme which includes her own transcriptions of selected songs from Songs of Travel – Ralph Vaughan Williams's settings of poems by Stevenson. The songs intersperse the remainder of the programme, and one of them – Let Beauty Awake – has also lent its title to the entire disc. Together with the eminent pianist and chamber musician Bengt Forsberg, Nisbeth goes on to perform the impassioned Viola Sonata composed in 1919 by Rebecca Clarke – a well-known piece among viola-players, but deserving of a wider audience.

VA - Bach Transcriptions (2020) (20CD Box Set)  Music

Posted by murena at Jan. 16, 2023
VA - Bach Transcriptions (2020) (20CD Box Set)

VA - Bach Transcriptions (2020) (20CD Box Set)
EAC Rip | FLAC (Image+.cue, log) | 21 hours | 6 Gb | Scans->40 mb
Genre: Classical / Label: Brilliant Classics

This fascinating set provides a refreshing window onto a much studied, much idolized, and oft performed master of composition, allowing many of his familiar works to appear in a new light, recognizable and yet transformed. Bach's music is often described as indestructible, in the sense that no matter how it is performed, or in whichever arrangement, it's essential spirit survives. Many of the transcriptions included here represent the work of contemporary, world-class performers bringing Bach's masterpieces into the repertoire of their own instruments or ensembles, thereby giving new timbres to the genius of Bach's contrapuntal lines.

Kronos Quartet - Terry Riley: Sun Rings (2019)  Music

Posted by delpotro at Dec. 1, 2019
Kronos Quartet - Terry Riley: Sun Rings (2019)

Kronos Quartet - Terry Riley: Sun Rings (2019)
EAC Rip | FLAC (tracks+log+.cue) - 354 Mb | MP3 CBR 320 kbps - 184 Mb | Digital booklet | 01:19:32
Classical | Label: Nonesuch Records

Kronos Quartet's groundbreaking 2002 collaboration with composer Terry Riley, Sun Rings, is available as a recording for the first time via Nonesuch Records on August 30, 2019.
Chiaroscuro Quartet - Ludwig van Beethoven: String Quartets, Op.18 Nos.4-6 (2021)

Chiaroscuro Quartet - Ludwig van Beethoven: String Quartets, Op.18 Nos.4-6 (2021)
EAC | FLAC | Image (Cue & Log) ~ 363 Mb | Total time: 79:55 | Scans included
Classical | Label: BIS Records | # BIS-SACD-2498 | Recorded: 2019

The Chiaroscuro Quartet has embarked on a chronological, single-album cycle of Beethoven's quartets, and the group returns here with the second volume, offering the fourth, fifth, and sixth quartets from the composer's Op. 18 set of six. The group uses gut strings and early instruments (second violinist Pablo Hernán Benedí plays a 1570 Amati instrument) that impart a physicality fitting the quartet's expressive aims. The word "chiaroscuro" befits this quartet, which, even in Haydn quartets, offers high-contrast performances.