Natural S.e.n.s.

Natural Brown Prom Queen is Sudan Archives’ second album following her widely celebrated 2019 debut Athena. Over its 18 epic and ambitious tracks, Natural Brown Prom Queen shows a new side to Sudan Archives: Brittney Parks or Britt, the girl-next-door. On this album, Sudan explores themes of race, womanhood and family. Natural Brown Prom Queen features the singles “Home Maker” and “Selfish Soul”.

G.E.N.E. (Grooving Electronic Natural Environments) is a Canadian New Age instrumental band. The idea of this world-famous project was born in June 1987, during a conversation under the stars around a campfire and tents on the shore of the lake in the Canadian woods. That night, Cleo de Mallio took the first steps in a musical odyssey that is still not completed. The conversation was carried on the nature and technology, the world and machines, the new digital sound and lofty emotions. Father of the project and the producer is Michael Weisser - founding member of the German band Software, one of the disciples of the legendary Klaus Schulze, the founder of the company's IC/Digit music, on which he produced G.E.N.E. and Software. Michelle Weisser - it is not trivial producer who invested and believed in the idea…

Agricola - Missa Malheur me bat, Missa In minen sin - A:N:S Chorus & János Bali (2001) {Hungaroton Classic HCD32011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 348 Mb | MP3 @320 -> 185 Mb
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 2001 Hungaroton Classic | HCD 32011
Classical / Renaissance / Sacred / Early Music

First recording. .. or the more colloquial "s__t happens" is as good a translation of the phrase "malheur me bat" as any. It's the title of a chanson of the late 15th Century. The rest of the text hasn't survived. We can assume that the chanson was a love lament, but not with any certainty; it might have been a general statement of the woes of mortality. Written in the Phrygian mode (E to e with no flats of sharps), it does have a melodically woeful cast. Polyphony in the Phrygian mode was not unusual, but it always involved the compositional difficulty of avoiding the "tritone" (the interval from F-natural to B-natural), so that raising the F or lowering the B (a practice we call ficta) often disguises the modal quality of the music.

Grooving Electronic Natural Environments is musically diverse electronic new age project built around a mystery of Canadian born talented composer Cléo de Mallio…

Various Artists - Rhythm 'n' Bluesin' By The Bayou: Nights Of Sin, Dirty Deals And Love Sick Souls (2016) {Ace Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 230 Mb | MP3 @320 -> 144 Mb
Full Artwork @ 300 dpi (png) -> 45 Mb | 5% repair rar
© 2016 Ace Records | CDCHD 1478
Rhythm & Blues / Blues

A spicy mix of rarities, alternates and previously unissued R&B goodies from South Louisiana and S.E. Texas, where you are never too far from a bayou and some good rockin’ music. This 15th compilation in the “By The Bayou” series takes us back to the R&B sounds you would have heard belting out of a Louisiana juke joint on a steamy night in the 1950s or early 1960s. All of the tracks included were recorded in that party state, although some of the artists were based in Texas, crossing the state line to make music in studios based in Crowley and Lake Charles.

Inspired by Cream, Mountain, and Jimi Hendrix, Mike Onesko's Blindside Blues Band forges ahead with its own energy-charged take on rock 'n blues. With help from Aynsley Dunbar (Journey, Starship, Whitesnake) on drums, Mike Onesko has created one of the most exciting CDs in modern blues/rock. Mike Onesko formed the Blindside Blues Band in the early 1990’s with bassist Greg Chaisson and drummer Jeff Martin formerly of Jake E. Lee’s “Badlands”. Their mission statement was to create harder-edged blues music in the tradition of late 60’s/ early 70’s blues-rock artists such as Cream, Mountain, and Robin Trower. After recording four critically-acclaimed CD’s with some personnel changes along the way, the group fulfilled their initial contract with Blues Bureau and recorded a series of records for the Akarma and Grooveyard labels, each known for their quality releases in the psychedelic and blues-rock genres.

The Natural Soul finds Lou Donaldson delving deeply into soul-jazz, recording a set of funky, greasy instrumentals with only a few references to hard bop. Donaldson occasionally sounds a little awkward with the relaxed groove of The Natural Soul, as does trumpeter Tommy Turrentine, but the trio of guitarist Grant Green, organist John Patton, and drummer Ben Dixon keep things cooking. Green and Patton's solos often burn and are always invigorating, and Lou frequently matches their heights. The original compositions - which form the bulk of the album - aren't much more than blues and soul vamps, but they provide an excellent foundation for the combo to work hot grooves. And, in the end, that's what The Natural Soul is about - groove. It maintains the high standards Donaldson established with his first soul-jazz foray, Here 'Tis, and remains one of his best records in that genre.

The four concerti in The Four Seasons of Antonio Vivaldi have probably earned the distinction of being the most frequently recorded classical works in the digital era. Originally published as part of a set of 12 concerti as Vivaldi's Opus 8, the other eight concerti also get some attention, particularly La tempesta di mare, but the set as a whole is comparatively seldom recorded. In Europa Galante's Virgin Classics release, Vivaldi: Il cimento dell'armonia e dell'inventione, violinist Fabio Biondi, who has recorded The Four Seasons at least once before for Opus 111, leads his expert ensemble in the whole of the Opus 8 set.