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Barcelona’s prestigious Gran Teatre del Liceu presents Mozart’s beloved singspiel in an elegant, dramaturgically twisted production with a sparkling cast of top-rank international stars headed by coloratura soprano Diana Damrau as Konstanze and rising opera star Olga Peretyatko as Blonde.

Mozart's comic opera tells the story of Belmonte, a Spanish Nobleman, who arrives at a Turkish palace in search of his beloved Konstanze who has become part of Pasha Selim's harem. Together Belmonte and Konstanze plan her escape. Filmed at the Royal Opera House in Covent Garden in 1988, Georg Solti conducts the Orchestra and Chorus of the Royal Opera House. Deon van der Walt and Inga Nielsen star. “Solti's effervescence and warmth inspire a splendid cast, especially Nielsen's unusually desperate, passionate Constanze and antagonists Moll and Watson. Richly comic and brilliant sung.” - BBC Music Magazine

Die Entführung aus dem Serail (The Abduction from the Seraglio) is one of Mozart’s five great repertoire operas alongside Le nozze di Figaro, Don Giovanni, Cosi fan tutte and Die Zauberflöte. A typical ‘Singspiel’, a form in which all the dialogue is spoken rather than sung, it was a great success during Mozart’s lifetime and to this day has not lost any of its magic. Mozart was twenty-six when he wrote this opera, which was commissioned by a Viennese Theatre and premiered in 1782.

This lively production originated at Baden Baden in 2003 and moved to the Aix-en-Provence Festival the following year. Marc Minkowski is the moving spirit of the performance and “moving” is the right epithet, as most of his speeds are on the fast side. No harm in that when the work is so lengthy. He assembled a fine young cast, all of whom are up to their taxing parts, headed by Malin Hartelius as Konstanze, who is at once a visually attractive performer, absolutely tireless in her three arias, and at the same time projects a very moving portrayal. She is partnered by a promising young tenor in Matthias Klink as Belmonte. He is deprived of one of his arias but sings the rest with fluency and makes an eager young lover. Magali Léger is a bright-buttoned Blonde with voice to match, and her Pedrillo, Loïc Felix, is a suitable partner.

Nous ne sommes pas certains que les spectateurs de l’Opéra de Zurich aient éprouvé tout à fait le même plaisir que nous à la vue de cette production de Jonathan Miller. Car la réussite de cette captation doit beaucoup au travail de la réalisatrice vidéo Chloé Perlemuter qui, avec un dispositif volontairement réduit, a décidé d’épouser le regard du spectateur, furtif, parfois inquisiteur et parfois distrait. Quelques regards sur les chanteurs en coulisses, des cadrages audacieux, rompent la monotonie d’un spectacle assez statique où l’investissement se lit presque exclusivement sur les visages, ce que soulignent parfaitement de pertinents gros plans. La captation offre donc au travail minimaliste et pudique de Jonathan Miller une profondeur supplémentaire, comme elle offre d’autres perspectives au décor d’une sobriété monacale d’Isabella Bywater, également signataires de costumes chatoyants qui nous renvoient directement au siècle des Lumières.