That these symphonies are not more famous than they are simply amazes me. Prokofiev understood the nature of symphonic writing, and after the dainty cuteness of Symphony 1, he was ready to make his own mark. The Symphony 3 (1929) begins with a brash sense of alarm, then becomes quieter, more operatic in nature. And the composer's weird clashing harmonies are throughout the piece. Two versions of the Symphony 4 (1940) exist. This is the original version, which is shorter than the latter 1940 version. Neeme Järvi and the SNO have recorded the entire series for Chandos, and these are the ones to have.
Principal Conductor and Music Director of the Tonhalle-Orchester Zürich since October 2019, Paavo Järvi continues his complete cycle of Tchaikovsky’s symphonies, following a first volume devoted to Symphony no.5 and the symphonic poem Francesca da Rimini . This second volume features Symphonies nos. 2 and 4. The Fourth, composed in 1878 and nicknamed the ‘Fate’ Symphony because of its sombre colouring, which may recall the neuroses attributed to Tchaikovsky, is one of his most frequently performed. The Second Symphony, composed in 1872 and much less frequently performed in concert, is known as the ‘Little Russian’ because Tchaikovsky drew on Ukrainian folk tunes. The very first movement begins with a solo horn version of the folksong ‘Down by Mother Volga’…