Neurologia Maurice Masson

Edvard Grieg already had the renowned Piano Concerto and Sigurd Jorsalfar behind him when he was commissioned to write incidental music for a staged version of Henrik Ibsen’s play Peer Gynt. This resulted in some of Grieg’s most famous music, from the Norwegian trolls and hobgoblins of In the Hall of the Mountain King to the movingly simple Solveig’s Song. The suite From Holberg’s Time takes us back to Baroque style and traditions with irresistible melodic charm. Wedding Day at Troldhaugen was a wedding anniversary present for Nina, Grieg’s wife, and the sprightly Norwegian Dances are a precursor to the larger-scale Symphonic Dances (available on VOX-NX-3038CD). These classic VOX recordings by Maurice Abravanel and the Utah Symphony Orchestra were originally issued in 1976 and have been newly remastered from the original tapes. The Elite Recordings for VOX by legendary producers Marc Aubort and Joanna Nickrenz are considered by audiophiles to be amongst the finest sounding examples of orchestral recordings.

28th December 2012 marks the 75th Anniversary of the death of Maurice Ravel, the great French composer, best-known for his beautiful melodies, orchestral & instrumental textures and mesmeric compositional effects.
Many consumers will know Ravel through his masterpieces, such as: Boléro, Pavane pour une infant défunte, Rapsodie espagnole, Gaspard de la nuit, Ma Mère l’oye, Daphnis et Chloë, Le Tombeau de Couperin and La Valse.

Grumiaux’s elevated intellectual profile is put to exalted use in the Debussy Sonata. He has a quicksilver response to the music’s twists and turns and an alertness to the necessary momentum in the first movement. He is thus forward moving but flexible with a fast vibrato and multi variegated tonal response at once apposite and unostentatious. Listen at 2.15 to about as extravagant a portamento as he ever made on disc. If you want to hear fluent and incisive duo playing listen to Grumiaux and Hajdu in the Intermède where understanding of motivic details and larger structure reigns supreme.

French pianist Monique Haas recorded the piano works of Debussy and Ravel twice, once in the late '50s and early '60s for Deutsche Grammophon and again in the late '60s and early '70s for Erato. The later recordings are released here in this six disc set from Warner Classics. As on the earlier set, Haas' performances are elegantly stylish, technically impeccable, consummately musical, and quintessentially French. Pick any piece by either composer at random, and you'll see. Try her bright but sensual Suite Bergamasque with its ravishing Clair de lune or her brilliant and visionary Études with their astounding concluding Pour les accords. Or try her recklessly virtuosic Gaspard de la nuit with its frightening Scarbo or her sweetly swaying Valses nobles et sentimentales with its heartrending Épilogue. There are only two meaningful differences between Haas' recordings: in the earlier performance, she is more passionate and impetuous while in the later performances she is more measured and thoughtful.

L'histoire d'une génération vue à travers la problématique des rapports entre Paris et l'enracinement dans une province. …

Analyse du style de Maurice Ravel à partir de 173 exemples issus de ses compositions. L'auteur souligne que son écriture parcourt tout le spectre affectif : tendre, puissante, simple, complexe, ironique, poignante, virtuose, câline, érotique. …

L'histoire d'une génération vue à travers la problématique des rapports entre Paris et l'enracinement dans une province. …