New 33 Magazine 26 August 2024

Featuring 15 tracks of the month’s best new music by John Cale, The Dirty Three, Linda Thompson, The Folk Implosion, John Grant, Cassandra Jenkins, Eiko Ishibashi, Bill MacKay and more.

featuring 15 tracks of the month’s best new music by John Cale, The Dirty Three, Linda Thompson, The Folk Implosion, John Grant, Cassandra Jenkins, Eiko Ishibashi, Bill MacKay and more.

October's COVERMOUNT CD is Forever Young: The Best Of 1974. Exactly what it says on the tin, with 15 killer songs by Can, King Crimson, Fela Kuti, Betty Davis, Gram Parsons, Robert Wyatt and TWO unreleased tracks from Dylan’s new 1974 Tour box set!

Featuring 15 tracks of the month’s best new music by John Cale, The Dirty Three, Linda Thompson, The Folk Implosion, John Grant, Cassandra Jenkins, Eiko Ishibashi, Bill MacKay and more.

October's COVERMOUNT CD is Forever Young: The Best Of 1974. Exactly what it says on the tin, with 15 killer songs by Can, King Crimson, Fela Kuti, Betty Davis, Gram Parsons, Robert Wyatt and TWO unreleased tracks from Dylan’s new 1974 Tour box set!

Meshell Ndegeocello’s 2nd Blue Note album No More Water: The Gospel of James Baldwin is a striking homage to the eminent writer and activist James Baldwin to be released on his Centennial: August 2, 2024. Ndegeocello’s transformative music and collaborative spirit ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. Co-produced by Meshell and guitarist Chris Bruce, the album also features frequent collaborators Justin Hicks, Kenita Miller-Hicks, Josh Johnson, Jebin Bruni, Abe Rounds, Jake Sherman, and Julius Rodriguez, as well as powerful spoken word performances by poet and activist Staceyann Chin and Pulitzer Prize-winning author Hilton Als.

Meshell Ndegeocello’s 2nd Blue Note album No More Water: The Gospel of James Baldwin is a striking homage to the eminent writer and activist James Baldwin to be released on his Centennial: August 2, 2024. Ndegeocello’s transformative music and collaborative spirit ignites this genre-bending work that is at once a musical experience, a church service, a celebration, a testimonial, and a call to action. Co-produced by Meshell and guitarist Chris Bruce, the album also features frequent collaborators Justin Hicks, Kenita Miller-Hicks, Josh Johnson, Jebin Bruni, Abe Rounds, Jake Sherman, and Julius Rodriguez, as well as powerful spoken word performances by poet and activist Staceyann Chin and Pulitzer Prize-winning author Hilton Als.

New Musik's debut album, From A to B, is one of the best - and most influential - electronic LPs of the '80s. Its keyboards may sound dated, but there's a freshness to these charming, unpretentious songs that hasn't been spoiled by technological advances in computerized instrumentation. Many new wave revivalists have attempted to capture the nerdy vocals and quirky synthesized bleeps of From A to B and failed. This record is a product of its time, recorded when keyboards were viewed as eventually replacing guitar and bass as rock & roll tools. While many synth pop groups became mired in existential woe to show that they had emotions underneath the layers of Casio hiccups, New Musik is having a blast on From A to B. "With robot precision/We're gonna be doin' just fine," sings Tony Mansfield (guitars, keyboards, vocals) with geek sincerity on the exhilarating "Straight Lines"…

October's COVERMOUNT CD is Forever Young: The Best Of 1974. Exactly what it says on the tin, with 15 killer songs by Can, King Crimson, Fela Kuti, Betty Davis, Gram Parsons, Robert Wyatt and TWO unreleased tracks from Dylan’s new 1974 Tour box set!

When they recorded the follow-up to their surprisingly successful debut, the members of Visage appeared to be dealing from a position of strength. But the dance club-fueled, style-obsessed new romantic movement that had propelled the group to success in England was already crumbling, and frontman Steve Strange had begun to take his role as the movement's figurehead a little too seriously. The Anvil, rumored to be the subject of a multi-million dollar feature film (a project that never materialized), emphasizes Strange's penchant for melancholy and melodrama. Where the band's debut undercut such pretensions with humorous tracks like the twangy "Malpaso Man," only one tune here - "Night Train," with a rubbery bassline and blasts of brass backing a tongue-in-cheek tale of intrigue - dares to take liberties with Visage's moody image…