New Order's first compilation album, Substance (1987), finally broke the group through to commercial success in the U.S. Its second one, The Best of New Order, isn't exactly Substance II. The previous set was a singles collection, and Best Of does pick up that story, including a series of songs - "True Faith" (in a new remix), "Touched by the Hand of God," "Blue Monday 88," "Fine Time," "Round & Round" (in a new remix), "Run," and "World in Motion" - that were bigger hits in the U.K. than in the U.S. (Also included is the group's biggest U.S. hit, "Regret" as well as its charting follow-up, "World [The Price of Love].") But in addition, the compilers have included one song each from the group's albums - "Dreams Never End" from Movement, "Age of Consent" from Power, Corruption & Lies, "Love Vigilantes" from Low-Life, "Vanishing Point" from Technique, and "Ruined in a Day" from Republic…
The Rest of New Order (stylised as (the rest of) NewOrder) is a remix album by English band New Order, released on 21 August 1995 by London Records. Limited edition of the CD came with an additional bonus disc of "Blue Monday" remixes. This version replaces the white background on the cover with a reflective brown/gold.
Rising from the ashes of the legendary British post-punk unit Joy Division, New Order triumphed over tragedy to emerge as one of the most acclaimed bands of the 1980s; embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.
Recorded live on 9th November 2018 (their only UK show of 2018), education entertainment recreation is a brand new live album from London’s Alexandra Palace.
The New Colony Six started out as one of the better garage bands to come out of the Midwest in the mid-'60s, playing tough British Invasion-style rock & roll (their "At the River's Edge" made it onto the Nuggets box set), and they later evolved into a surprisingly sophisticated and skillful pop group that scored nationwide hits with the singles "Love You So Much" and "Things I'd Like to Say." However, this collection of odds and ends doesn't quite play to either side of the band's personality; in fact, most of the 24 songs aren't actually by the New Colony Six, with 11 tunes by the Raymond John Michael Band (which featured three NC6 alumni, singer Ray Graffia, drummer Chick James, and keyboard man Craig Kemp) and one each by Junior and Graffia, both latter-day Ray Graffia projects…
Once New Trolls ended up all the legal proceedings that led them to split into many different musical strands and other projects (Ibis, N.T. Atomic System, Tritons - real and fake ones -, Johnny from Tritons, and so on…), they reunited with “Concerto grosso n. 2”, published several reprints, live albums and compilations, and even entered the dance trend of the time with “Aldebaran” (1978), naturally followed by the Bee Gees-like “New Trolls” (1979), a.k.a. “La Barchetta” from its cover image. In 1981, with a line-up that reduced from 6 to 4 elements due to D’Adamo (bassist and lyricist) and Usai (keyboardist, who started an unsuccessful solo career), De Scalzi, Di Palo (the new bass player), Belloni (lead guitarist) and Belleno wrote “FS”, a back-to-the roots release, even in the shape of a concept album…
This super deluxe edition boasts an abundance of material. Disc one features a 2016 remaster (by Andrew Walter at Abbey Road) approved by Charlie Burchill and the second disc gathers 12-inch remixes and instrumentals of the singles, a few of which enjoy their CD debut. Various edits and B-sides can be found on the third CD in the set while disc four features previously unreleased BBC John Peel and Kid Jensen radio sessions, recorded in February and August 1982. All ten tracks on disc five are previously unreleased; made up of alternative mixes and demos.
One of Scotland's finest exports, Simple Minds deliver a strong synth-reared release on New Gold Dream. This album harks the darker side of the band's musicianship, and such material alludes to their forthcoming pop-stadium sound which hurled them into rock mainstream during the latter part of the '80s…