You have to admire New York Voices' diversity – this is a jazz vocal group that has embraced everything from modal post-bop and Brazilian jazz to Stevie Wonder pearls. And how many artists have devoted an entire album to jazz interpretations of Paul Simon tunes? Not everything the Voices have recorded is great, but more often than not, their sense of adventure and open-mindedness have served them well. After paying tribute to pop-rocker Simon in 1997, the Voices make big band music the main focus of Sing, Sing, Sing. This time, they are backed by a big band and turn their attention to gems associated with swing icons like Benny Goodman ("Sing, Sing, Sing," "Don't Be That Way"), Duke Ellington ("In A Mellow Tone"), Woody Herman ("Early Autumn"), and Artie Shaw ("Stardust"). Although many of these classics came out of the Swing Era, Sing, Sing, Sing also has its share of post-World War II gems. Ralph Burns' lovely "Early Autumn" is a gem that Herman recorded in 1948, when he was exploring bop with his Second Herd and the Four Brothers. And "Orange Colored Sky," which was a major hit for Nat "King" Cole in 1950, is quite relevant to the CD's big band theme because Cole recorded it with the Stan Kenton Orchestra.
Super deluxe six disc edition boasts an abundance of material. Disc one features a 2016 remaster (by Andrew Walter at Abbey Road) approved by Charlie Burchill and the second disc gathers 12-inch remixes and instrumentals of the singles, a few of which enjoy their CD debut. Various edits and B-sides can be found on the third CD in the set while disc four features previously unreleased BBC John Peel and Kid Jensen radio sessions, recorded in February and August 1982. All ten tracks on disc five are previously unreleased; made up of alternative mixes and demos and the icing on the cake is the sixth and final disc which is a DVD, featuring Charlie Burchill and Ronald Prent's 5.1 surround sound mix, first released on the now long out-of-print DVD-Audio in 2005. This mix of the album is a unique 'full duration' mix which is different to the standard version. DVD also includes promo videos and a few Top of the Pops performances. Note, this is a DVD-V unlike the DVD-A/V disc from previous Simple Minds box sets.
JSP's New Orleans Guitar compiles four CDs of performances by Smiley Lewis, Guitar Slim, and T-Bone Walker. It's hard to go wrong with these 102 recordings cut between 1947 and 1955. The tracks have been remastered, making the majority of this material sound great. Unlike other packages of this type, the liner notes are informative, listing personnel, dates, and a concise history without going on ad nauseam. As an extra bonus this is a budget-priced set, making it highly recommended, especially for the blues novice.
As History: The Singles 85-91's title makes plain, this compilation bundles up all the group's singles released between these dates. 1985 was a turning point for the band, the year New Model Army relocated from the indie Abstract label to the majors and EMI. Thus fans will obviously have to look elsewhere for their earlier singles, particularly the ferocious "Vengeance," the best of their pre-EMI releases. But the six years bundled up here were just as stellar. The group released a dozen singles during this period, and the A-sides all appear here in chronological order, kicking off with the blind fury of "No Rest," down into the bitter irony of "51st State," through the desolation of science gone insane of "White Coats," across the outcasts' anthem of "Vagabonds," into the nostalgic valleys of "Green and Grey," diving into the barely suppressed rage of "Purity," and ending live in "Space." Americans may be surprised to find that every single one of New Model Army's singles charted in the U.K., albeit outside the Top 25. But that's a moot point; while Britain was in the midst of a Tory revolution that turned much of England's innate culture to dust (Scotland, Wales, and Ulster remained more immutable to their efforts), New Model Army soldiered on, a voice raging in the wilderness.
Barb Wired Tour Vol. 2 is the second of two volumes of Empress Valley’s ambitious nine disc compilation of important tapes from Ron Wood’s New Barbarians side project in support of his solo album Gimme Some Neck. Picking up where The Drug Dealer Tapes Vol. 1 (Empress Valley EVSD 196/200) leaves off, Vol. 2 contains four discs with another hour of the tour rehearsal tape along with two complete shows…