News From 5 Marz 2016

Various Artists - Last Of The Garage Punk Unknowns, Volumes 5 & 6 (2016) {Crypt Records CRYPT116 rec 1965-1967}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 329 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 600 dpi (jpg) -> 242 Mb | 5% repair rar
© 1965-67, 2016 Crypt Records | CRYPT 116
Rock / Garage Rock / Psychedelic

2016 release containing the fifth and sixth deluxe installments of Crypt's Last Of The Garage Punk Unknowns series. 28 prime slabs of mid 60s USA garage punk aceness from LPs five and six with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and none of these tracks were on the old series Garage Punk Unknowns, so wise up!) Featuring rug-cutters from The Thunderbirds, The Kinetics, The Edges Of Wisdom, The French Church, The Symbols, The Scurvy Knaves, Purple Virus, The Ebb Tides, The Plague, Caedman & The Nobles, The Starfyres, The Uniteds, The Greg Stokes, The Torments, Kenneth & The Yorkshire Coachmen, The Sires, The Riots and many others.

Lee Abraham's latest album - modern British Progressive rock with many luminaries from the progressive scene. Lee Abraham is a British bass player and multi instrumentalist. Was the bass player for Galahad from 2005 to 2009…

The Pasadena Roof Orchestra is a contemporary band from England that specialises in the jazz and swing genres of music of the 1920s and 1930s, although their full repertoire is considerably wider. The orchestra has existed since 1969, although the line-up has frequently changed. It has achieved success outside of the United Kingdom, most notably in Germany.

As one of the world's foremost interpreters of Baroque keyboard music on the modern piano, Angela Hewitt has established a fine reputation for impeccable playing and fresh musical insights. Listeners who cherish her award-winning recordings on Hyperion of the music of Johann Sebastian Bach have already experienced her exquisite playing, and they will be delighted to hear this selection of sonatas by Domenico Scarlatti, Bach's contemporary and an innovator whose compositions influenced the development of the Classical sonata. Some of these selections are well known, particularly the Sonata in C major, Kk159, the Sonata in D major, Kk96, and the Sonata in E major, Kk380, which are often anthologized, though Hewitt hasn't packed this disc with greatest hits (with 555 sonatas to choose from, there are many less familiar that deserve attention). Hewitt's performances are thoughtfully phrased, polished in tone, and rhythmically precise with a modicum of rubato, and she is alert to the subtleties that make this music so beguiling. Hewitt recorded these 16 sonatas in the Beethovensaal in Hannover, where she made her first Bach recordings for Hyperion 20 years previously, and the acoustics are nearly ideal for her style.

Beth Hart is on fire. Right now, the Grammy-nominated singer/songwriter is riding a creative tidal wave, firing out acclaimed albums, hooking up with the biggest names in music and rocking the house each night with that celebrated burnt-honey voice. In 2016, the headline news is Los Angeles’ singer Beth’s latest album, Fire On The Floor: a release that even this fiercely self-critical artist describes as “pretty frickin’ good”. Despite all the emotionally bare moments, for Beth, this record represents a catharsis. “I think Better Than Home is one of the best records I’ve ever done,” she says, “but it was a brutal experience. Fire On The Floor has more energy and I think, overall, it’s just got more balls. And I think I really needed that, just to balance out that heavier mood on Better Than Home.”

Brutal and fast death-metal with twisted double-tracked vocals from Kam Lee, resulting in a cross between Mercyful Fate and Death. The deadliest of death-metal always comes from Florida, and this is no exception.