Niall Mary Roach

Avec une curiosité et un humour inégalés, Mary Roach répond à toutes les questions que personne n'avait osé se poser sur la science des humains en guerre… Elle nous embarque ainsi dans une folle tournée de laboratoires pas comme les autres! …

The idea probably looked good on paper. Why not combine Buddy Rich's Quintet of 1959 (which consisted of altoist Phil Woods, trombonist Willie Dennis, pianist John Bunch and bassist Phil Leshin) with Max Roach's band of the time (consisting of trumpeter Tommy Turrentine, tenor saxophonist Stanley Turrentine, trombonist Julian Priester and bassist Bobby Boswell)? This CD reissues all of the music (including four "new" alternate takes) but the excess of drum solos and the relative brevity of space given to the horns results in a great deal of sameness from track to track.

Reflections in Repose captures the pure essence of Steve Roach's ever-deepening intimate embrace of silence, breath, rich harmonic inventiveness, and shifting liminal states; it's a sound and style completely unique to his electronic/ambient vision. Created over two evenings at the close of 2023, the music was recorded in the same sequenced flow as presented on the two discs’ 116 minutes. The five long-form tracks were performed on a single instrument - the Oberheim OB-X8 - the modern equivalent of the iconic Oberheim OB-8 which Steve used 40 years ago in the making of his classic piece "Structures from Silence.”

Reflections in Repose captures the pure essence of Steve Roach's ever-deepening intimate embrace of silence, breath, rich harmonic inventiveness, and shifting liminal states; it's a sound and style completely unique to his electronic/ambient vision. Created over two evenings at the close of 2023, the music was recorded in the same sequenced flow as presented on the two discs’ 116 minutes. The five long-form tracks were performed on a single instrument - the Oberheim OB-X8 - the modern equivalent of the iconic Oberheim OB-8 which Steve used 40 years ago in the making of his classic piece "Structures from Silence.”

The second of two collaborations with Kevin Braheny inspired by the desert, this album pays homage to the Edward Abbey book of the same title. It inadvertently became a memorial to that Southwestern nature writer when Abbey died shortly after the music was recorded. Featuring some powerful work by Michael Stearns, this album taps into the psychological depths of stark Southwestern landscapes through a subtle set of soundscapes depicting the hidden dangers, unseen gifts, and intoxication that the desert promises.