Nick Cave & The Bad Seeds

When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste.

Following on from the successful An Idiot Prayer live album and livestream event released this year, Nick Cave releases B-Sides and Rarities: Part I and Part 2. B-Sides and Rarities: Part 2 was compiled by Nick Cave and Warren Ellis and features 27 tracks. It includes tracks from Dig, Lazarus, Dig!!! in 2006 to 2019s Ghosteen and 19 rare and unreleased tracks including first recordings of ‘Skeleton Tree’, ‘Girl in Amber’, ‘Bright Horses’ and ‘Waiting for You’.

Nick Cave and The Bad Seeds are back after a five-year break with their new album Wild God! Across ten tracks, the band dances between convention and experimentation, taking left turns and detours that enhance the rich imagery and emotion in Cave's heartfelt narratives. There are moments that fondly recall the Bad Seeds' past, but they are fleeting and only serve to add another facet to the band's relentless and restless forward momentum. Nick Cave says of the album: "It bursts out of the speaker, and I get swept up with it. It's a complicated record, but it's also deeply and joyously infectious."

With guitarist/keyboardist Roland Wolf and Cramps/Gun Club veteran Kid Congo Powers on guitar added to the ranks, along with guest appearances from old member Hugo Race, the Seeds reached 1988 with their strongest album yet, the insanely powerful, gripping Tender Prey. Rather than simply redoing what they'd already done, Nick Cave and company took their striking musical fusions to deeper and higher levels all around, with fantastic consequences. The album boldly starts out with an undisputed Cave masterpiece – "The Mercy Seat," a chilling self-portrait of a prisoner about to be executed that compares the electric chair with the throne of God. Queasy strings from a Gini Ball-led trio and Mick Harvey's spectral piano snake through a rising roar of electric sound – a common musical approach from many earlier Seeds songs, but never so gut-wrenching as here. Cave's own performance is the perfect icing on the cake, commanding and powerful, excellently capturing the blend of crazed fear and righteousness in the lyrics.