Niek Baar Schumann & Bruch_ Violin Concertos

Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024) [Digital Download 24/96]

Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 56:06 minutes | 1,08 GB
Classical | Label: Channel Classics Records, Official Digital Download

Dutch violinist Niek Baar joins the Deutsche Radio Philharmonie under the direction of Christoph Poppen to perform two classic violin concertos from the mid-19th century: Robert Schumann’s Violin Concerto in D minor and Max Bruch’s Violin Concerto No. 1 in G minor. Both of these violin concertos were written for the legendary Joseph Joachim, who had a hand in shaping the final form of both pieces, although ultimately his changes to the Schumann were rejected by the composer. The highly original, introverted and melancholic concerto is a moving self-portrait of the 43-year-old Schumann a few years before his death, and Bruch’s No. 1 is one of the most beloved concertos of the entire repertoire.
Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)

Niek Baar, Christoph Poppen & Deutsche Radio Philharmonie - Schumann & Bruch: Violin Concertos (2024)
WEB FLAC (tracks) - 262 Mb | MP3 CBR 320 kbps - 130 Mb | 00:56:06
Classical | Label: Channel Classics Records

Dutch violinist Niek Baar joins the Deutsche Radio Philharmonie under the direction of Christoph Poppen to perform two classic violin concertos from the mid-19th century: Robert Schumann’s Violin Concerto in D minor and Max Bruch’s Violin Concerto No. 1 in G minor. Both of these violin concertos were written for the legendary Joseph Joachim, who had a hand in shaping the final form of both pieces, although ultimately his changes to the Schumann were rejected by the composer. The highly original, introverted and melancholic concerto is a moving self-portrait of the 43-year-old Schumann a few years before his death, and Bruch’s No. 1 is one of the most beloved concertos of the entire repertoire.