Nikolai Myaskovsky Complete Symhonies Vol. 12

Charlie Parker Records: The Complete Collection, Vol. 12 - Oscar Moore + Various Artists (2012 CP Records 233193/12 rec 1954}

Charlie Parker Records: The Complete Collection, Vol. 12 - Oscar Moore + Various Artists (2012 CP Records 233193/12 rec 1954}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 249 Mb | MP3 @320 -> 181 Mb
Full Artwork @ 600 dpi (jpg) -> 62 Mb | 5% repair rar
© 1954, 2012 Charlie Parker Records / Membran Media / Documents | 233193 / 12
Jazz / Cool / West Coast Jazz / Bop / Mainstream Jazz

Exhaustive 30 CD collection from the Jazz legend's short-lived label. Contains 44 original albums (421 tracks) plus booklet. Every record-collector has run across an album with the little sax-playing bird in it's label-logo, right next to the brand name Charlie Parker Records or CP Parker Records. Turning the sleeve over, especially if it was one of the non-Parker releases, and seeing a '60s release date under the header Stereo-pact! Was as exciting an experience as it was confusing. Was the claim Bird Lives meant more literally than previously thought?
Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 12 [3CDs] (2001)

Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 12 [3CDs] (2001)
EAC | FLAC | Tracks (Cue & Log) ~ 855 Mb | Total time: 03:21:13 | Scans included
Classical | Label: Erato | # 8573-85842-2 | Recorded: 2000

The cantatas in this volume all date from Johann Sebastian Bach's second year of office as Thomaskantor in Leipzig. The series of chorale cantatas, which breaks off in early 1725, forms an almost complete yearly cycle which derives an exceptional unity of style and content from its debt to established Lutheran hymnody. Almost all the cantatas contain the first and last verse of a hymn, the other verses being paraphrased in recitatives and arias. Practically any selection of the chorale cantatas will display the unusually rich variety of form and colour that is one of their most distinctive features.

Waves Complete 2022.09.12  Software

Posted by melt_ at Sept. 14, 2022
Waves Complete 2022.09.12

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Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 1 (2021)

Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 1 (2021)
WEB FLAC (tracks) - 245 Mb | MP3 CBR 320 kbps - 159 Mb | Digital booklet | 01:08:24
Classical, Vocal | Label: Toccata Classics

The dignified bearing and quiet wisdom of Nikolai Myaskovsky (1881–1950) gained him the sobriquet of ‘the conscience of Russian music’ – and those qualities are reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy. The pairing here of his late Violin Sonata with his last two song-cycles for soprano and piano mirrors the Moscow concert in 1947 when all three were given their first performances.
Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 1 (2021) [24/44]

Elizaveta Pakhomova, Tatiana Barsukova, Marina Dichenko & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 1 (2021)
FLAC (tracks) 24-bit/44,1 kHz | Front Cover & Digital Booklet | Time - 68:24 minutes | 582 MB
Classical, Vocal | Label: Toccata Classics, Official Digital Download

The dignified bearing and quiet wisdom of Nikolai Myaskovsky (1881–1950) gained him the sobriquet of ‘the conscience of Russian music’ – and those qualities are reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy.
Vladimir Verbitzky, Nikolai Mikailov - Nikolai Myaskowsky: Symphony No. 19; Serenade; Sinfonietta (2002)

Vladimir Verbitzky, Nikolai Mikailov - Nikolai Myaskowsky: Symphony No 19; Serenade; Sinfonietta (2002)
EAC | FLAC | Image (Cue & Log) ~ 307 Mb | Total time: 67:54 | Scans included
Classical | Label: Olympia | # OCD 105 | Recorded: 1987

In recent years Miaskovsky has suffered something of a decline in the Soviet Union. Textbooks still honour him as an important influence on the development of Soviet music, a great teacher and so on, but performances and recordings of his music have become increasingly rare. Whether this new CD issue (apparently the first of a series) is a sing of re-awakened interest—a kind of Russian counterpart to the Bax phenomenon in England—isn't easy to tell, but obviously the spirit of the age is favourable to the rediscovery of very late romantic orchestral composers, as is demonstrated by the case of Bax, or Respighi, or even Eduard Tubin.
Taneyev String Quartet - Myaskovsky: Complete String Quartets Nos. 1-13 (2019)

Taneyev String Quartet - Myaskovsky: Complete String Quartets Nos. 1-13 (2019)
WEB FLAC (Tracks) 1.56 GB | Cover | 05:37:32 | MP3 CBR 320 kbps | 776 MB
Classical | Label: Northern Flowers

What was it about ‘waiting’ and ‘buses’? No sooner has the Borodin Quartet unveiled its recording of Miaskovsky’s Quartet No.13 [Onyx 4051] than the young French Renoir Quartet appears to trump them by adding the First as well. This bookending device ensures that the disc bears a ‘first and last thoughts’ patina. Miaskovsky delayed writing - or to put it more accurately, releasing for public consumption - a String Quartet until he was nearly fifty. His final work in the form was completed the year before his death.
Ilya Kuzmin, Dzambolat Dulaev & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 2 (2023) [Official Digital Download 24/96]

Ilya Kuzmin, Dzambolat Dulaev & Olga Solovieva - Myaskovsky: Vocal Works, Vol. 2 (2023)
FLAC (tracks) 24-bit/96 kHz | Front Cover & Digital Booklet | Time - 62:41 minutes | 1,01 GB
Classical, Vocal | Label: Toccata Classics, Official Digital Download

Nikolay Myaskovsky (1881–1950) was given the sobriquet of ‘the conscience of Russian music’ thanks to his dignified bearing and quiet wisdom – qualities reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy. This second album presents his entire output of songs for baritone and piano, most of them early works responding to Russian lyric poetry with the calm dignity typical of his compositions – though there is the occasional flash of passion.
Ekaterina Levental & Frank Peters - Medtner Wandrers Nachtlied, Complete Songs, Vol. 4 (2023) [24/192]

Ekaterina Levental & Frank Peters - Medtner Wandrers Nachtlied, Complete Songs, Vol. 4 (2023) [24/192]
FLAC (tracks) 24-bit/192 kHz | Front Cover | Time - 01:02:38 minutes | 1.87 GB
Classical | Studio Master, Official Digital Download

New recordings of Goethe and Heine settings by a master Russian song-writer, by performers thoroughly versed in the composer’s complex harmony and heritage.
Ilya Kuzmin, Dzambolat Dulaev, Olga Solovieva - Myaskovsky: Vocal Works, Vol. 2 (2023)

Ilya Kuzmin, Dzambolat Dulaev, Olga Solovieva - Myaskovsky: Vocal Works, Vol. 2 (2023)
FLAC (tracks), Lossless / MP3 320 kbps | 1:02:40 | 200 / 144 Mb
Genre: Classical / Label: Toccata Classics

Nikolay Myaskovsky (1881–1950) was given the sobriquet of ‘the conscience of Russian music’ thanks to his dignified bearing and quiet wisdom – qualities reflected in the unemphatic strength of his music. His orchestral, chamber and instrumental works are regaining the currency they once enjoyed, but his large corpus of songs, many of them understated masterpieces, has yet to attract systematic attention – a situation this series hopes to remedy. This second album presents his entire output of songs for baritone and piano, most of them early works responding to Russian lyric poetry with the calm dignity typical of his compositions – though there is the occasional flash of passion.