Nina Byers, Gary Williams

This here is the definition of international jazz, recorded in Paris in 1956 by two relaxed, unpretentious, melodic, and well-rehearsed groups including both American and European jazz musicians. These meetings were documented in two excellent albums: “Jazz on the Left Bank” and “Réunion à Paris.”

Veteran alto and soprano saxophonist Gary Bartz's debut recording for the Dutch Timeless label is one of his finest efforts as he enlisted the services of pianist Benny Green, bassist Christian McBride, drummer Victor Lewis, and tenor saxophonist Willie Williams on three selections to perform an unusual program of one Bartz composition, three jazz classics, two movie themes, and one radio theme. Bartz's strong tone, sense of swing, and improvisational imagination place him within the ranks of jazz's finest saxophonists, and he proves it throughout this recording. Favorites include the title track, which is actually two Bartz compositions, one medium, one up, joined by an excellent McBride bass solo; John Coltrane's "Song of the Underground Railroad," performed up-tempo, in the spirit of Coltrane all the way down to a blistering sax-drums duet; McCoy Tyner's "Peresina," a medium Afro-Latin number with the melody played by the not-heard-enough combination of tenor and alto sax; and Wayne Shorter's "Children of the Night" where the melody is played over a hip groove by McBride and Lewis and features one of the best Bartz solos on record.

What’s behind THE RED DOOR? For pianist Orrin Evans, that question has come to symbolize the daring path his life and music have taken over the course of his three-decade career. On his latest album, he once again flings that door open, delighting in the collaborators, friends, inspiration, and history that he finds inside.

The New Chamber Opera Ensemble made an impact upon me a year ago with its first recording for ASV of Charpentier’s Le mariage forcé and Les fous divertissements. Now it follows that release with a two-disc set of Rameau’s complete cantatas – seven of them, with two versions of Aquilon et Orithie – and it is another fine effort that puts them at the very forefront of the youngest generation of practitioners of period-style performance.

Over the last three decades, singer, songwriter guitarist and composer Gary Louris has built a deeply compelling body of music whose artists and integrity has won the loyalty of an international audience and the respect of both critics and his peers. Best known for his seminal work with The Jayhawks, he is one of the most acclaimed musicians to come out of Minnesota's teeming rock scene. Along the way, Louris has produced records by various artists, contributed songs to Grammy Award-winning albums by Tedeschi/Trucks Band and The Dixie Chicks; and recored with acts as diverse as the Black Crowes, Uncle Tupelo, Lucinda Williams, Nickel Creek, Tift Merritt and more. Jump For Joy is Gary's long awaited 2nd solo album and follow up to the 2008 release of Vagabonds.