No-Man is a British duo formed in 1987 by Tim Bowness and Steven Wilson (Porcupine Tree). The name No-Man was adopted in 1990 and first used on the self-released June 1990 single release, "Colours". Originally creating a sample-based proto-trip hop / ambient styled music, No-Man’s sound has become more organic, eclectic and band-oriented in subsequent years. Drawing from a diverse mix of Singer-songwriter, Post Rock, Minimalist, Progressive rock, Jazz, and Contemporary Ambient sources for inspiration, No-Man's sound is distinctive, yet difficult to categorise. On labels such as One Little Indian, Sony, Adasam and Kscope, the band has so far produced six studio albums and a number of singles / outtakes collections, most notably, 2006's career retrospective, "All The Blue Changes"…
Look “no-man” up in Wikipedia and it will tell you that the band is an art pop duo, formed more than 30 years ago, who have so far produced 6 albums. At the time of their last full album release, 2008’s Schoolyard Ghosts, the careers of Messrs Wilson and Bowness were in completely different places: Wilson was embarking on his post Porcupine Tree solo career while Bowness had released a solo album a few years previously,and had been a member of a variety of side projects. In 2019, Steven is a bona fide, figure-head of the modern prog scene and Tim is a critically acclaimed solo artist with 3 recent albums to his name…
Initially surfacing as a cassette in 1995, then reappearing later that year as a slightly revised and expanded CD, Flowermix, as the name indicates, consists mainly of remixes from the excellent Flowermouth album. Steve Wilson himself handles almost half the efforts, the rest given over to folks like David Kosten, later of Faultline; Os, aka Andrew Ostler, future partner of Tim Bowness in Darkroom; and Bowness himself. While some mixes concentrate on a dancefloor setting, others take a subtler approach or otherwise seem less concerned with raves as with their own internal logic.
The partnership of Tim Bowness and Steven Wilson has continued in its own steady, quietly involving way for at least two decades, but No Man just seem to reach a new peak every time they release an album, and 2008's Schoolyard Ghosts, appearing after a five-year gap, continues that streak. Following the epic textures of Together We're Strangers with a slight return to the more directly melodic sound of Returning Jesus may initially seem retrograde, but in point of fact, Schoolyard Ghosts finds Wilson's ever evolving obsession with sonic possibilities in full effect, as he gently traces everything from string swells and haunting vocal sighs to soft electronic chimes behind the sweet combination of his guitar and Bowness' richly passionate voice…