British trumpeter Ken Colyer, one of the major New Orleans revival brassmen, had broken up his regular group in 1971 due to his erratic health but fortunately he continued playing on a part-time basis during the remaining 17 years of his life. This infectious set (which came out on CD in 1998) was performed at a church in 1972 before a live audience and although Colyer and his septet play songs that could be thought of as hymns, there is nothing somber or overly reverent about the interpretations. Colyer (who is in excellent form), clarinetist Sammy Rimington, trombonist Barry Palser, pianist Ray Smith, banjoist Pete Morcom, bassist Alan Jones and drummer Colin Bowden put lots of feeling into the music and there are plenty of stomps and ensemble-oriented jams. Among the ten selections (all of which are quite enjoyable) are "Just A Little While To Stay Here," "Sing On," "Bye And Bye" and "Walking With The King." This is easily recommended to New Orleans jazz collectors.
This CD traces Jelly Roll Morton's period in New York, starting with his second record date in the Big Apple. A few of the sessions have Morton joined by an excess of musicians, with the results certainly being spirited, if bordering on getting out of control. "Tank Town Bump" and "Red Hot Pepper Stomp" are the best of these numbers. In addition, Morton is heard on four excellent piano solos (including "Seattle Hunch" and "Freakish"), leading a nucleus taken from the Luis Russell Orchestra on four other songs, and playing as a sideman with vaudevillian clarinetist Wilton Crawley's pickup band, sometimes to hilarious effect. One of the true jazz giants, every recording by Jelly Roll Morton is well worth acquiring in one form or another.
The famous Traditional New Orleans-style Jazz band 'Preservation Hall Jazz Band' has been performing and recording music since the early 1960's. In 2013 they signed a deal with Sony Music Entertainment and on April 21st, 2017 they will be releasing their second album under the deal "So It Is".
For the fourth of five recordings made by the classic Ruby Braff-George Barnes Quartet, ten songs by Rodgers and Hart are given melodic, swinging, creative treatment. Cornetist Braff and guitarist Barnes fed off of each other and worked very well together, while rhythm guitarist Wayne Wright and bassist Michael Moore always gave them impeccable support. Highlights of this enjoyable set include "Isn't It Romantic," "Blue Room," "You Took Advantage of Me" and "The Lady Is a Tramp".
The centenary of the birth of Charles Mingus, in April 2022, has served to reinforce his importance in twentieth-century music. His “achievements surpass in historic and stylistic breadth those of any other major figure in jazz.” (New Grove Dictionary). Mingus could be angry, even violent, but also loving and tender, and all of these aspects of his complex character are reflected in his music. As he once said, “I'm trying to play the truth of what I am. The reason it's difficult is because I am changing all the time.”
The sax player from New York grooves through some laid-back new-jazz-swing, while the Dancing Fantasy team oversees his impressive effort with some fine producing. A cool mix of musical styles showcasing George's multi faceted use of the sax.
The best of Keiko Matsui compilation contains her classic tunes selected from her albums, from her first, "A Drop of Water" up to her 8th album "Doll" released in 1997. The tracks were newly arranged with piano parts newly recorded.