Nomfundo Moh Amagama (deluxe)

Mike Oldfield was back into the extended composition game with Five Miles Out, continuing the "Taurus" series with the mammoth "Taurus II," an entertaining enough romp with references to Irish music, brass bands and Oldfield's beloved Morris. The true standout, though, was the title track, a paean to flying in bad weather that could easily double for Oldfield's feelings about the sort of monumental critical drubbing he was accustomed to receiving. "Family Man" became a huge worldwide hit for Hall & Oates.

With Your Wilderness, Bruce Soord's the Pineapple Thief shift their musical focus away from their exploration of polished rock so evident on 2012's All the Wars and 2014's Magnolia, and back toward contemporary prog. Drummer Dan Osborne, who made his debut with the band on Magnolia, proved short-lived in his role; he has been replaced by Porcupine Tree/King Crimson kit man Gavin Harrison. Soord also enlisted guests including Supertramp's John Helliwell on clarinet, Caravan's string player/arranger Geoffrey Richardson, Godsticks' guitarist Darran Charles, and a four-voice choir. Harrison's addition can't be overstated. His playing extends the reach of their musicality exponentially.
The album title denotes themes of isolation, loneliness, and alienation - not unfamiliar ones in PT's oeuvre. That said, they've never been explored with such a brooding focus as they are here…

This 16-track set from Be Bop Deluxe's short but productive four-year, six-album career captures a handful of highlights from each release, and adds both sides of a rare 1973 single, which see their first CD appearance. Oddly those two songs close the disc, which otherwise is in strict chronological order as it traces the band's evolution from its vaguely glam roots to a more progressive-minded entity that could also churn out snappy near-hits. The specter of David Bowie is never far from the spotlight, especially given that singer/songwriter/frontman Bill Nelson (who also pens witty and reflective liner notes) sounds a lot like Ziggy Stardust. The music also approximates various aspects in Bowie's career, although the synths and general production seem not to have fared quite as well…