Northern Soul's Modern Monsters

William Orbit is a British musician and record producer, best known to the public for producing Madonna's album "Ray of Light", which received four Grammy Awards.
His speciality is atmospheric keyboard electronica although much of his work features accomplished guitar playing.
Like its predecessor, "Pieces in a Modern Style 2" is a collection of classical music "covers": from Puccini to Elgar, Bach to Tchaikovsky. Special Bonus CD: 6 bonus tracks from William Orbit plus 8 remixes by Ferry Corsten, John Digweed & Nick Muir, Jakwob, Timo Maas & Santos, Alex Metric, Rockdaworld.

Before the world even had a chance to hear the Modern Lovers, Jonathan Richman had already moved on. Richman founded the group in 1970 with bandmates who would go on to acts like the Cars and the Talking Heads, and in the early '70s, they recorded some truly electric demos that would help define a sound later understood as punk. These recordings wouldn't see wide-scale release until long after the first iteration of the band broke up, and by the time of Jonathan Richman & the Modern Lovers, Richman had dropped the angst and anxiety of his proto-punk beginnings in favor of a far friendlier, quieter, and more innocent style. Ironically, the 1976 debut album of Richman's revamped, gentler Modern Lovers arrived just one month before the proper release of the earlier version of the band's recordings, emphasizing how drastic of a change had occurred. While the raw excitement of the early pre-punk Modern Lovers was groundbreaking, there's an equally revelatory quality in the softness and vulnerability of what followed.

One of the first Modern Jazz Quartet albums on Atlantic - a 1957 set that finds the crew in one of their freshest periods - laying down their soon-to-be trademark style in a fashion that warrants the self-titled tag! The set kicks off with a stellar medley of standards, all given the tight MJQ touch! The crew strolls through "They Say It's Wonderful", "How Deep Is The Ocean", "Body And Soul" and more in that 10 minute stretch. Other album highlights include the drum-heavy "La Ronde", a sweet reading of "Night In Tunisia", "Baden Baden", "Bag's Groove" and "Yesterdays".

Ellen Taaffe Zwilich may have found inspiration through introspection, but her music is anything but introverted. Concerto Elegia and Commedia dell'Arte unpack disparate themes—mourning a loss and the joy of theater—each within the framework of the concerto, exhibiting Zwilich's creativity and imagination in addition to her compositional prowess. While the concerti are naturally inviting, as if to allow you to partake in an intimate discussion, Symphony No. 5 grabs one's attention by introducing its own unmatched scale and grandeur. The listening experience pivots from a conversation to a Socratic debate, where a plurality of ideas shape a prevailing vision among its participants.

Great album by the top Japanese jazz players of the time (Sadao Watanabe, Akira Miyazawa, Hideto Kanai, Takeshi Inomata, Eiichi Fuji…).

Great album by the top Japanese jazz players of the time (Sadao Watanabe, Akira Miyazawa, Hideto Kanai, Takeshi Inomata, Eiichi Fuji…).