Not Otherwise Specified — Season 2 The Quiet Revolution in Medical Training Whatever It Takes — Nos Episode 2.7

A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed…

Apparently, the Move's discography is so complex that not even a lovingly compiled, rarities-laden, career-spanning box set like Salvo's 2008 Anthology 1966-1972 can fit everything within the confines of four discs. The devil is in the licensing, as it always is, something that always plagues Move compilations because their last album, Message from the Country, was on Harvest, while their first two - The Move and Shazam - were on EMI and the third, Looking On, was on Fly. Typically, the first three albums are grouped together - as they were on WestSide's 1997 box Movements - with Message from the Country left lingering on its own, a situation Salvo almost avoids on Anthology by cherry-picking the low-riding heavy blues-rocker "Ella James" and loading up the fourth disc with the wonderful post-Message singles that captured the band at some kind of a zenith: "Tonight," "Do Ya," "Chinatown," "California Man"…