Nothing But Jackin House Vol. 14 (2019)

Top producer Luca Debonaire, the master of the Funky, Groove & Jackin House genre with his brandnew mix compilation.

Like the Motown Sound of the mid-60s, the Philly Sound of the 70s did not suddenly appear overnight with the establishment of Philadelphia International Records and the rise to international stardom of acts such as the O Jays, the Three Degrees and Harold Melvin & the Blue Notes. This new Kent release Nothing But A House Party focuses its attention on the years 1967-1971 and provides a first-class overview of how recording in Philadelphia moved on from the lightweight Cameo-Parkway sound of the early 60s to become considerably more inventive and sophisticated. Most of the musicians heard on these tracks became part of MFSB, the musical backbone of nearly every black American recording that came out of Philly between 1971 and 1976. Many of the songwriters and producers also went on to far greater fame in the 70s, after honing their craft with these and many other classics. Some artists featured here had fallen by the wayside by the turn of the 1970s, while others had moved their recording base elsewhere but all played a significant role in developing Philadelphia's standing as one of one of soul music's most significant cities of the 20th century. With the kind of copiously annotated and illustrated booklet and top-notch mastering you would expect from Kent, this is a release no serious soul fan should overlook.

Die DJ Hitparade entwickelt sich zunehmend zu einer der starken Schlagermarken in Deutschland. Nun bereits mit der zwölften Ausgabe dieser wunderbaren Discofox-Reihe! Eine sensationelle CD, auf die besonders lange getanzt werden kann, da sie mit einer extra langen Spielzeit glänzt. Uwe Hübner präsentiert auch dieses Mal wieder nur das Beste für jeden, der das Discofox-Bein schwingen möchte. Frei nach dem Motto: Keine Füller, nur Hits!!! Darauf tanzt Deutschland! Natürlich gibt es die DJ Hitparade nicht nur physisch, sondern auch digital zu erwerben. Mit dabei sind Wolfgang Petry, Vanessa Mai, Namika, Heino, Christin Stark, Roland Kaiser und weitere Superstars der Disco-Fox Szene! Ein MUSS für jeden Schlager-Fox Fan, der die besten Mixe dieses Genres nicht verpassen möchte. Mit dieser Kompilation tanzen Sie auf die aktuellsten Songs des Discofoxs! DIE DJ HITPARADE Vol.14 …darauf tanzt Deutschland!

Music Brokers Presents Vintage Cafe Lounge And Jazz Blends Special Selection Vol.14 album 25 original hits and the original artists genre Jazz, Lounge. Includes tracks by Amazonics & Michelle Simonal, Sarah Menescal, Michelle Simonal and more.

In 1980 Dexy’s Midnight Runners talked of a “new soul vision”. They were referring to their own music but they and other groups including The Jam through covers of soul songs such as ‘Seven Days Too Long’ (Dexy’s), ‘One Way Love’ (Dexy’s), ‘Big Bird’ (The Jam) and ‘Move On Up’ (The Jam) inspired a new generation of teenagers to seek out the originals then go deeper. ‘Ain’t Nothing But A House Party’ provides a soundtrack to those exciting times, a celebration of 60s and early 70s soul that filled dance floors again in the 80s.

UK two CD set, the first-ever comprehensive compilation of 12" singles from '80s chart mainstays, post-Disco Synthesizer Soul pioneers and perennial floor-fillers Phil Fearon and Galaxy. Compiled with Phil's blessing, this collection brings together the definitive extended versions of all his UK single releases issued on the Ensign label from 1982 to 1987. Digitally remastered direct from master tapes archived at Abbey Road, this collection features many mixes unavailable since their original release and available on CD for the first time. Showcasing the innovative post-Disco Synth-Soul sound of Phil's FJR Studios, it also boasts mix credits for the influential M & M team of John Morales and the late Sergio Munzibai, John Luongo and PWL's Phil Harding and Pete Hammond. The extensive booklet also features additional photos, a fully illustrated discography, lyrics and new sleeve notes written especially for this release.

For the whole of the 1970s, the Philly Sound was a leading and immediately identifiable component of black American music. A crack team of producers, songwriters and musicians raised worldwide awareness of Philadelphia soul to the level the Motown Sound had enjoyed during the previous decade. Anyone with half an ear for music could spot a Philly soul record by its opening bars, whatever the location of the label on which it appeared. In the same way the Motown Sound really came together after the company started recording almost exclusively in its own premises, the Philly Sound quickly took shape once Joe Tarsia, the former chief engineer at Cameo-Parkway Studios, opened Sigma Sound in 1968.