Boléro, composed by Maurice Ravel in 1928, has always captured the world’s attention. Repetitive, mesmeric, colourful and thrilling, it has also proved a seminal work, influencing composers over the past century. Now it lends its name to a film inspired by the life of Ravel: directed by Anne Fontaine and starring Raphaël Personnaz.
In response to the 2004 debut album, which became an instant classic, Marc Collin and Olivier Libaux experimented with various musical paths. Many songs are thus recorded. The songs that are relevant to each album's theme are released. But many covers would remain under wraps, while others, although ready for release, were relegated to the vaults. These previously unreleased recordings are featured on "Curiosities". 2004 - 2019. For the last fifteen years, Nouvelle Vague has been resuscitating, sometimes introducing, dozens of songs from the New Wave and Punk repertoires – some quite well known, others almost forgotten. But the story is far from over.
In response to the 2004 debut album, which became an instant classic, Marc Collin and Olivier Libaux experimented with various musical paths. Many songs are thus recorded. The songs that are relevant to each album's theme are released. But many covers would remain under wraps, while others, although ready for release, were relegated to the vaults. These previously unreleased recordings are featured on "Curiosities". 2004 - 2019. For the last fifteen years, Nouvelle Vague has been resuscitating, sometimes introducing, dozens of songs from the New Wave and Punk repertoires – some quite well known, others almost forgotten. But the story is far from over.
Marc Collin, the creator of Nouvelle Vague, never anticipated producing a fifth album for the project, originally envisioning it as a one-off tribute to post-punk through bossa nova. However, the unexpected success of their debut album, featuring unique covers of songs by XTC, Public Image Limited, Josef K, and Joy Division, propelled Nouvelle Vague into unforeseen popularity.
On this piano recital, pianist David Kadouch explores the Les musiques de Madame Bovary. "The relationship between music and literature has always stimulated me. The memories and images that one can have of a narrative can inhabit and magnify the notes of a composer. I wanted to imagine the music that Emma Bovary might have listened to during her short life, evoking the often-forgotten women composers of Flaubert's time. With this question hanging in the air: could Emma Bovary's fate, her suicide, have been avoided, if these female creators had had the notoriety they deserved?"