Nova Wightman

The most comprehensive collection of organ music by a major forerunner to Monteverdi, recorded on a historically significant instrument by an organist with a distinguished catalogue of 17th-century repertoire.

This album ranges widely over Scottish composer Sir James MacMillan’s substantial output of sacred music and gathers together a few pieces that haven’t made it into the studio, such as the lovely St Anne’s Mass. Many of the pieces have personal significance, including works written for the weddings of family members and a Requiem Mass for his father. The largest here, The Culham Motets—written for the consecration of a chapel—is ambitious music, full of colour, and MacMillan strikes the perfect note. The smaller works are beautifully done and Cappella Nova’s singing, captured gloriously by producer/engineer Philip Hobbs, is breathtaking.

Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.

Ars Nova: This female keyboard trio started in the next line-up: Keiko Kumagai (keyboards), Kyoko Kanazawa (bass) and Akiko Takahashi (drums). In '92 ARS NOVA released their promising debut-album "Fear & Anxiety", a tribute to ELP with floods of powerful Hammond organ and flashing synthesizer solos, supported by a strong and adventurous rhythm-section. After several album and changes in the line-up, ARS NOVA is still going strong and end 2003 the trio released their new CD entitled "Biogenesis Project": it's loaded with spectacular instrumental prog rock in the vein of ELP, UK and TRACE. The current ARS NOVA includes Keiko Kumagai (keyboards), Akiko Takahashi (drums, voice) and Mika (vocal and chorus)…

Canadian songstress Sarah Slean first joined forces with Symphony Nova Scotia in April 2012, in an electrifying, groundbreaking collaboration that earned rave reviews and three standing ovations, and was broadcast nationwide by CBC. One of the highlights of the performance was "Lamento", a new work by Canadian star composer Christos Hatzis that was praised as “marvelously colorful and dramatic” (Chronicle Herald, Halifax). In 2018, Symphony Nova Scotia jumped at the chance to work with Sarah again, this time as part of Bernhard Gueller’s "Bucket List”, celebrating his final season as Symphony Nova Scotia’s Music Director (2002-2018). For this new collaboration, Symphony Nova Scotia and the Thunder Bay Symphony co-commissioned another work for Sarah from Christos Hatzis – this time titled "Ecstasy", a counterpoint to "Lamento". Audience reviews called the project “magical” and “a match made in heaven.” Now, Symphony Nova Scotia, Bernhard Gueller, Sarah Slean, Christos Hatzis, and producer Jeff Reilly are proud to release both recordings on one album.

The Story of Bossa Nova features 20 remastered original recordings from the late '50s/early '60s combined with a few modern interpretations of the genre, including 14 tracks written by composer Antonio Carlos Jobim. Taken from the vast EMI-Odeon archive of classic Brazilian music, this introductory set includes Marcos Valle's "Samba De Verao," Sylvia Telles' "Dindi," and the pre-Astrud Gilberto version of "Girl From Ipanema" by Pery Ribeiro.