Novabossa Red Hot

This digital box set contains Red Chili Peppers' Blood Sugar Sex Magik (1991), One Hot Minute (1995), Californication (1999), By the Way (2002), Stadium Arcadium (2006), I'm with You (2011). There's too many smash-hits to count and is well worth the while.

The Red Hot Chili Peppers is the debut studio album by Red Hot Chili Peppers, released on August 10, 1984 on EMI Records. The album was produced by Gang of Four guitarist Andy Gill, and is the only album to feature Jack Sherman on guitar who was fired by the band at the end of the tour in support of the album and replaced by founding member, Hillel Slovak.

This digital box set contains Red Chili Peppers' Blood Sugar Sex Magik (1991), One Hot Minute (1995), Californication (1999), By the Way (2002), Stadium Arcadium (2006), I'm with You (2011). There's too many smash-hits to count and is well worth the while.

This Scottish pipe and drum group was formed at the start of the 00s by Stuart Cassells (b. 1979, Falkirk, Scotland; pipes), Willie Armstrong (b. Scotland; pipes), Kevin MacDonald (b. Scotland; pipes), Steven Graham (b. Scotland; drums) and Malcolm McEwan (b. Scotland; drums). With Cassells, Graham and McEwan all studying at the prestigious Royal Scottish Academy of Music and Drama, the group could boast a fine array of talented young players.

SOLAR: Sun Ra In Brasil is a Brazilian celebration of the music of Sun Ra. The album was recorded in 2022 in Bahia and São Paulo, Brazil, and highlights incredible talent in Jazz, Avant-Pop, Rap and poetry. It includes such Brazilian forward-thinking artists such as Metá Metá, Edgar, Xênia França, Tiganá Santana, Max De Castro, Hamilton de Holanda, as well as 3x Grammy nominated vocalist Jazzmeia Horn and world renown musician and songwriter Meshell Ndgeocello.

SOLAR: Sun Ra In Brasil is a Brazilian celebration of the music of Sun Ra. The album was recorded in 2022 in Bahia and São Paulo, Brazil, and highlights incredible talent in Jazz, Avant-Pop, Rap and poetry. It includes such Brazilian forward-thinking artists such as Metá Metá, Edgar, Xênia França, Tiganá Santana, Max De Castro, Hamilton de Holanda, as well as 3x Grammy nominated vocalist Jazzmeia Horn and world renown musician and songwriter Meshell Ndgeocello.

Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991. Produced by Rick Rubin, it was the band's first record released on Warner Bros. Records. The musical styles of Blood Sugar Sex Magik differed notably from the techniques employed on the Chili Peppers' preceding album, Mother's Milk, and featured little use of heavy metal guitar riffs. The album's subject matter incorporated sexual innuendos and references to drugs and death as well as themes of lust and exuberance. Blood Sugar Sex Magik also ranked number 310 on Rolling Stone's the "500 Greatest Albums of All Time" and number 14 on the "100 Best Albums of the Nineties".

The Uplift Mofo Party Plan is the third studio album by American rock band Red Hot Chili Peppers, released on September 29, 1987 on EMI Records. Due to prior obligations resulting in temporary personnel changes following the band's formation in 1983, The Uplift Mofo Party Plan is the only studio album to feature all four founding members of the band on every single track: vocalist Anthony Kiedis, bassist Flea, guitarist Hillel Slovak, and drummer Jack Irons. The record features the band's signature funk rock musical style, but also draws influences from reggae and heavy metal.

Mother's Milk is the fourth studio album by the American rock band Red Hot Chili Peppers, released on August 16, 1989, on EMI Records. After the death of founding guitarist Hillel Slovak and subsequent departure of drummer Jack Irons, vocalist Anthony Kiedis and bassist Flea regrouped with the addition of guitarist John Frusciante and drummer Chad Smith. Frusciante's influence altered the band's sound by placing more emphasis on melody than rhythm, which had dominated the band's previous material. Returning producer Michael Beinhorn favored heavy metal guitar riffs as well as overdubbing that was perceived by Frusciante as excessive, and as a result Beinhorn and Frusciante constantly fought over the album's guitar sound.