The B-52's were one of the great new wave bands, one of the ones who defined the style and cut one of the great records of their time (their eponymous debut), an outfit who maintained a dedicated following even as they fell off the radar of critics and hipsters, a group who overcame a tragic loss (guitarist Ricky Wilson) to make a startling, unpredictable comeback that launched them beyond college radio and to the top of the pop charts. It's a hell of a story, even if the final act was decidedly anticlimatic (after one follow-up to the Cosmic Thing comeback, 1992's Good Stuff, the group essentially disappeared apart from an embarrassing version of the Flintstones theme for the 1993 big-screen adaptation), and they're easily one of the more legendary bands of their time.
Dr. Huntley and Professor Nichols are able to complete their work on a moon rocket because of an unexpected inheritance. They travel to the moon, but find a lush garden paradise rather than a barren wasteland. They are captured by virtually naked telepathic humanoids and taken in front of the Great Council. The Moon Goddess decides they should be allowed to continue their experiments, and Dr. Huntley begins falling in love with her. Professor Nichols worries about getting Huntley to return to earth.
After the black and even, like the paintings of Pierre Soulages, the outrenoir of TILT, the first album of this quartet in which the music revealed an infinite number of details in this color to the point of revealing a greater brightness, THE DREAMER chooses a more polychromatic and more incandescent light this time for this new album.