A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The title of his new album in 1975 seems to indicate the path politics would take, because of its reference to "majestad" (majesty, or King). "Arte y majestad" is a work in the Camaron manner as few others -his styles and vocal twistings are presents in each track, although the authorship of the cuts is still signed by Antonio Sanchez. To prove it, all that is needed is to listen to the "soleares", "tarantas" (the credits say "tarantos"), "seguiriyas" and "bulerias", outstanding the one dedicated to his admired Curro Romero, in which Paco de Lucia gave a preview of some sounds from the coming "Almoraima".
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The eighth album in Camaron de la Isla's discography with Philips record company, "with the special collaboration of Paco de Lucia" and Ramon de Algeciras on guitar. A varied summary of flamenco styles - from the Chacon taranta to El Mellizo tientos, with sevillanas and fandangos caracoleros in between - which was dubbed at the time as a "jewel of a record".
A limited edition of the Camarуn de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camarуn from 1969 to 1992 while he was alive. The classic album originally released in 1969 by the late, great Flamenco singer, one of ten he recorded in collaboration with guitarist Paco de Lucia. This is regarded as one of the diamond recordings in both of the artist's respective discographies and is treasured by many a Flamenco music fan.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. "The flamenco voice of the "cantaor" is sweet and inflicts pain as never before, and the guitars …never have accompanying guitars been heard like this on a record. Simply superb"
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. "The album is similar to the previous one, perhaps a bit less acoustic, with Paco de Lucia and Tomatito on guitars, the productions of Pachon and the musical direction of Paco".
A limited edition of the Camarуn de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. "A generally calmer atmosphere can be noticed in this album". The second album of Camaron de la Isla, with the special collaboration of Paco de Lucia, was released at the start of the new decade. The graphic design of the first album was maintained, with photos of both of them and similar headings, but in this one Perez de Leуn went even further and placed the pair face to face in a position similar to the Mountain of Olives, complete with cross and an apocalyptic horizon in red tones. The yellowed faces of the performers made them seem as if they had just suffered an attack of severe hepatitis. Ole'! Leуn.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The third LP of Camaron and Paco was released in 1971, and featured a cover similar to the previous ones. Perez de Leon positions them in a polychromatic sea landscape (which looks like plastic from afar), dressed in formal suit and tie (among his peers Camaron was the first to introduce the suit and tie). Antonio Sanchez and Paco de Lucia appear as authors in the credits -the latter for his guitar variations.
"La leyenda del tiempo" marked a giant step in the renewal of flamenco, both for originating from Camaron - who by now moved the masses around him - as well as for the bravery of including rock and jazz instrumentation in flamenco". Camaron de la Isla is one of the finest flamenco musicians Spain has ever produced, and this is perhaps his best album. It is one of the first–and most powerful–instances of traditional flamenco being melded with modern sounds (e.g. electric bass guitar and backing drums) but is LIGHT YEARS better than the hollow, fluffy modern flamenco fusion so popular today. Mixing traditional cante jondo with rock-influence, deep bass famenco fusions, "Leyenda del Tiemp" provides an amazing experience every listen.
Francisco de Asís Palacios Ortega (Paco to his friends), better known as the "Pali", born May 22, 1928 in the central neighborhood of La Casa de la Moneda de Sevilla and dies in the same city in 1988 Andalusian at age 60. The nickname seems to be that it is because in his youth was thin as a "stick" nothing to do with the image that is identified in the photographs of his albums since "The Pali" eventually gained weight and had to overcome their myopia with glasses whose lenses were increasing the so-called "bottle-ass." Your fat and glasses gave him that peculiar aspect which remind people of Seville, and who disappeared in 1988 and was buried as said on one of their Sevillanas "With my flag of Spain."