United by dalliances with purism as young men and an abiding love of classic blues and jazz, Eric Clapton and Wynton Marsalis are a more comfortable fit than it may initially seem. Both musicians are synthesists, not innovators, stitching together elements from their idols in an attempt to preserve the past while bringing it into the present, so their sensibilities are aligned and, in 2011, they’re amenable to a partnership that explores their common ground. So, Clapton and Marsalis held a series of concerts at New York City’s Jazz at Lincoln Center in April of 2011, the guitarist selecting the songs (apart from “Layla,” performed upon the request of bassist Carlos Henriquez), the trumpeter picking the band and working up the arrangements, using King Oliver’s Creole Jazz Band as his template yet finding room for piano and, of course, guitar.
A chance to sit back and enjoy the “reunion era” Colosseum live on stage at the 2003 Viersen Jazz Festival performing tracks from then-new album Tomorrow’s Blues. Recorded during founder member Dick Heckstall-Smith’s nal illness, world renowned saxophonist Barbara Thompson (Jubiaba, Paraphernalia) steps in. The result is a powerful performance from Barbara, Clem Clempson (guitar), Dave Greenslade (keyboards), Mark Clarke (bass), Chris Farlowe (vocals) and bandleader Jon Hiseman (drums). Alongside newer material including ‘I Could Tell You Tales’, the ensemble return to their Prog roots with a captivating rendition of ‘The Valentyne Suite’ and an epic ‘Lost Angeles’ (the latter rst released on their 1970 album The Grass Is Greener). ‘In The Heat Of The Night’ gives full rein to Farlowe’s mastery of the blues as Colosseum reinterpret Ray Charles’ original with some note-bending licks from Clem and Barbara’s sultry sax underpinning the closing number. Interspersed with interview footage with Jon Hiseman in which he explores the band’s musical complexity and continuing popularity in light of their decision to reform in 1994, this beautifully packaged CD/DVD presentation is a must for all Colosseum fans. As Hiseman explains: “You have to feed this creature. If you don’t feed it, it dies. Also, you can’t make it do, what it doesn’t want to do.”
The diminutive but mighty acoustic bassist Malachi Favors was a charter member of the Art Ensemble of Chicago and Kahil El'Zabar's Ritual Trio, and since his passing both groups have suffered. This recording for El'Zabar and his revamped trio including longtime member saxophonist Ari Brown and guest violinist Billy Bang is the first offering with bassist Yosef Ben Israel filling the chair of the late Favors…
The first thing that attracts the eye is this cover – the Jimi Hendrix posture. Noah Howard, one of the great underestimated figures in free jazz, in concentrated rapture. It’s an iconic picture of him which was also used for his 1979 recording “Ole”, on which he presents a fabulous version of the Coltrane composition. All of Howard’s commitment, his ability to listen, his grandeur is expressed in this picture.
With the release of The Paradox: Live at Montreux Jazz Festival, techno legend Jeff Mills and keyboard wizard Jean-Phi Dary embark on an exciting, ground-breaking musical trip that takes Techno and electronic dance music to a new level…
Salute to the Sun: Live at Hallé St Peter’s documents a very special concert recorded at the iconic Manchester venue during lockdown.