Nic Jones is a legend of British folk music. His 1980 record Penguin Eggs is regarded as a classic. In a poll by the Observer a few years ago, Penguin Eggs was rated number 79 of the 100 Best Records of All Time, just above Station to Station by David Bowie and just below Let It Bleed by The Rolling Stones - amazing for an LP that never actually charted. His iconic song Canadee-i-o has even been covered by Bob Dylan. Many believe that Nic was destined for international stardom; his funky, rhythmical and percussive guitar style and smooth singing meant that his music crossed musical barriers.
Part of Universal's massive 20th Century Masters/The Millennium Collection, this 12-song budget set draws on a dozen of Jones' best-known tunes. Highlights include "It's Not Unusual," "What's New Pussycat?," "Green Green Grass of Home," "I'll Never fall in Love Again," "Delilah," and "She's a Lady." A perfect, bare-bones introduction to this artist's early hits.
Tom Jones became one of the most popular vocalists to emerge from the British Invasion. Since the mid-'60s, Jones has sung nearly every form of popular music – pop, rock, show tunes, country, dance, and techno, he's sung it all. His actual style – a full-throated, robust baritone that had little regard for nuance and subtlety – never changed, he just sang over different backing tracks. On-stage, Jones played up his sexual appeal; it didn't matter whether he was in an unbuttoned shirt or a tuxedo, he always radiated a raw sexuality that earned him a large following of devoted female fans who frequently threw underwear on-stage. Jones' following never diminished over the decades; he was able to exploit trends, earning new fans while retaining his core following.
Any Grace Jones fan can quickly see that her Millennium Collection was slapped together with little care for telling her story. Sad really, since no compilation has ever captured the whole career of the underrated artist well. Basically, it's a one-disc version of Private Life: The Compass Point Sessions with "La Vie en Rose" tacked on as the only representation of her early disco years. The Compass Point years were great, with Sly & Robbie providing the groovy reggae backbeat and Jones supplying the European iciness. The cosmopolitan and paranoid versions of Roxy Music's "Love Is the Drug," the Normal's "Warm Leatherette," and the Pretenders' "Private Life" are all excellent.