Moby’s second album on Deutsche Grammophon following 2021’s Reprise. Digging further into his catalog, Moby has reimagined fifteen of some if his most iconic tracks for his new album, Resound NYC. The album features tracks that he wrote between 1994-2010 while living in New York City, and the new versions feature a vibrant, brass-heavy sound.
To celebrate their 40th anniversary, The Rolling Stones embarked on a worldwide tour in 2002 and 2003 that would cover 117 shows in a variety of theatres, arenas and stadiums. This show captures their January 2003 performance at Madison Square Garden in New York City and features a guest appearance from Sheryl Crow on “Honky Tonk Women”. Licked Live In NYC includes previously unreleased performances of “Start Me Up”, “Tumbling Dice”, “Gimme Shelter” & “Sympathy For The Devil”, along with 3 bonus performances from Amsterdam and rehearsal footage.
Recorded in November 1962, this album marks the first official release of the legendary Greenwich Village Nightclub shows and includes 24 newly mixed performances from the original master tapes in Barbra’s personal collection. With the release of this album, Columbia Records celebrates 60 years of making records with Barbra Streisand, the artist with the longest continuous catalog on the label and the only artist - male or female - on any label to chart #1 albums in every decade since the 1960s.
Recorded in November 1962, this album marks the first official release of the legendary Greenwich Village Nightclub shows and includes 24 newly mixed performances from the original master tapes in Barbra’s personal collection. With the release of this album, Columbia Records celebrates 60 years of making records with Barbra Streisand, the artist with the longest continuous catalog on the label and the only artist - male or female - on any label to chart #1 albums in every decade since the 1960s.
Undeniably Zachary Breaux's best album, Groovin' finds the guitarist performing live at Ronnie Scott's Club – a London venue that many British jazz fans consider England's equivalent of New York's Village Vanguard. Some of Breaux's studio material was smothered by excessive production and didn't fully demonstrate what a talented soloist he was, but on these soul-jazz, post-bop, and pop-jazz performances, he isn't worried about fitting into oppressive commercial radio formats. So the improviser is free to stretch out and say what he needs to on material that ranges from John Coltrane's "Impressions" (which gets a funky, hip-hop-ish makeover) and Ben Tucker's "Coming Home Baby" to originals like the mellow "Lagos" and the blues number "Alice."
Ellister makes you forget her instrument. She doesn’t play the trumpet, she plays music. There’s no struggle in her playing; the notes come out effortlessly, as if inventing them and executing them perfectly on the horn is no big deal at all.
This show from New York's Madison Square Garden in January 2003 was one of 117 shows on the band's 40th anniversary tour, which played in stadiums, arenas and theaters around the world between 2002 and 2003…