O Dengo

Dorival Caymmi (Brazilian Portuguese: [doriˈvaw kaˈĩmi]; April 30, 1914 – August 16, 2008) was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra," "Doralice" and "Saudade da Bahia," have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador," "O Que É Que a Baiana Tem?", and "Milagre." Caymmi composed about 100 songs in his lifetime, and many of his works are now considered to be Brazilian classics. Both Brazilian and non-Brazilian musicians have covered his songs.

Minha História (14 Sucessos)" is a compilation album by Brazilian artist Luiz Caldas, released in 1996. Luiz Caldas is a prominent Brazilian musician known for his contributions to the axé music genre, which blends elements of samba, reggae, and pop. He gained popularity in the late 1980s and is recognized for his catchy melodies and energetic performances. The album features axé music, a vibrant and rhythmic genre that is often associated with Carnaval celebrations in Brazil. It embodies upbeat, danceable tracks that are perfect for festive occasions.

Minha História (14 Sucessos)" is a compilation album by Brazilian artist Luiz Caldas, released in 1996. Luiz Caldas is a prominent Brazilian musician known for his contributions to the axé music genre, which blends elements of samba, reggae, and pop. He gained popularity in the late 1980s and is recognized for his catchy melodies and energetic performances. The album features axé music, a vibrant and rhythmic genre that is often associated with Carnaval celebrations in Brazil. It embodies upbeat, danceable tracks that are perfect for festive occasions.

Otto's first creative professional job was as percussionist for the groups Nação Zumbi and Mundo Livre S/A, recording their two first albums with them. In 1989 he departed for France, where he spent two years. Returning to Brazil, he met Chico Science and Fred 04, future proponents of the mangue beat movement. Otto's Samba Pra Burro was praised by the press for its blend of the folk rhythms of Pernambuco with drum'n'bass, rap, and electronica. The album was chosen by the São Paulo Association of Art Critics (APCA) as the best of 1998. Otto has performed internationally since then.