Ok! Magazin From 4 Februar 2015

EU-only five CD box containing a quintet of albums from the late Austrian '80s hitmaker. This set contains his first three studio albums - Einzelhaft (1982), Junge Roemer (1984) and Falco 3 (1985) - plus two posthumous releases: Falco Symphonic and Donauinsel Live.

The Lenny Hambro Quintet - Message From Hambro (1955) {2015 Japan Jazz Collection 1000 Columbia-RCA Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 114 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 600 dpi (png) -> 217 Mb | 5% repair rar | Mono
© 1955, 2015 Columbia / Sony Music Japan | SICJ 27 | 2015 DSD Remaster
Jazz / Bop / Saxophone

Reissue with latest 2015 DSD remastering. Comes with liner notes. A bold little message from alto saxophonist Lenny Hambro – a very strong record that should have made him as much of a giant on his instrument as contemporary talents like Lee Konitz or Herb Geller! Hambro has some of the soulful edge of the latter, and lots of the crisp, modern chromes of the former – especially in the way he runs alongside some great guitar in the group from Dick Garcia – a player we mostly know for his work on the Dawn label at the time, but who really makes the record something special here. The rest of the combo features Wade Legge on piano, Clyde Lombardi on bass, and Mel Zelnick on rhythm – and Hambro's sax work is angular and very deft – already at the top of his game. Titles include the Legge originals "Slave Girl", "Message In Minor", "Moon Slippers", and "Hoof Beats" – plus Hambro's "Thanatopsis" and "The Lonely One".

The ongoing Dave's Picks archival series takes on the lifelong challenge of presenting some of the best of the Grateful Dead's endless back catalog of live sets, cherry-picking recordings from nearly four decades and literally thousands of gigs and revisiting them with refurbished sound and meticulously detailed presentation. Vol. 13 of the series presents the full three-set performance from the band's February 24, 1974 date, the third of three nights at San Francisco's Winterland Arena. This date finds the band in fantastic form, using a sound system that predated their famous "wall of sound" amplifier system by just a month, and spinning their cosmic wheels through a spirited first set of rockers like "U.S. Blues," "Candyman," and "China Cat Sunflower" before relaxing into more wide-reaching territory in the second and third sets on extensive jams like "Weather Report Suite"…

British rock singer Terry Reid could have been a lot more famous if he had been able to accept the slot of lead singer for the New Yardbirds in 1968. That slot, of course, went to Robert Plant, and the New Yardbirds became Led Zeppelin. Unlike Plant, Reid was also a guitarist, and the opportunity to head his own group no doubt played a part in his decision to gun for a solo career. Leading a guitar-organ-drums power trio, he recorded a couple of respectable, though erratic, hard rock albums while still a teenager in the late '60s. Some bad breaks and creative stagnation combined to virtually bring his career to a halt, and he never cashed in on the momentum of his promising start.

Only the second major career-spanning retrospective of the Dead, The Best of the Grateful Dead - released in the spring of 2015, just before a series of farewell shows in the summer - takes advantage of the extra disc 2003's The Very Best of Grateful Dead lacked. Weighing in at 32 tracks - a full 16 cuts longer than Very Best - The Best of the Grateful Dead also follows a strict chronological sequence, so it takes a little while for the psychedelic haze to lift and the Dead to settle into the rangy, rootsy groove that characterized so much of their existence - right around "St. Stephen" and "China Cat Sunflower," both from 1969's Aoxomoxoa. From there, many - but by no means all - of the group's warhorses are marched out, all in their studio incarnations…