Osx Ddmf Plugindoctor

With more and more hosts going 64 bit only, a universal, cross-platform bit bridging tool is an essential part of the toolbox of every audio engineer who doesn’t want to lose all those precious (and often legendary) 32 bit plugins still waiting to be used.

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

IIEQPro is, to many devoted fans, the best equalizer plugin out there. If you had only one choice, this would be the one you would take with you on the proverbial island.

With more and more hosts going 64 bit only, a universal, cross-platform bit bridging tool is an essential part of the toolbox of every audio engineer who doesn’t want to lose all those precious (and often legendary) 32 bit plugins still waiting to be used.

With more and more hosts going 64 bit only, a universal, cross-platform bit bridging tool is an essential part of the toolbox of every audio engineer who doesn’t want to lose all those precious (and often legendary) 32 bit plugins still waiting to be used.

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks.

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks.

Everybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. Carefully designed by Mr. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks.

The newest member of the DDMF family: please give a very warm welcome to Envelope! The creation of this true stereo reverb effect started with the observation that somehow, whenever I’d use one of the existing reverb plugins, the sound was never quite ‘there‘.

The newest member of the DDMF family: please give a very warm welcome to Envelope! The creation of this true stereo reverb effect started with the observation that somehow, whenever I’d use one of the existing reverb plugins, the sound was never quite ‘there‘.